We worship, lionize our heroes, those who succeed, accomplish the impossible; we keep them protected in rarefied vitrines; we never dream of besting or defying their insurmountable, indefatigable feats; they’re immortal, unflawed. Documentary filmmaker Alex Gibney, under the mesmerizing spell of legendary Lance Armstrong, seven- time (1999-2005) winner of the prestigious Tour de France, commences by making a film of …
Read More »THE BOOK THIEF
Long anticipated, Markus Zusak’s 2005 novel “The Book Thief” is pulsating from the wide screen; it has a certain glitz, fairy -tale, manipulative quality, but if you flow with the fantasy, allow the titillation, ignore the sensationalism, you’ll be enchanted, entertained. Narrated by the “Grim Reaper” , it’s 1938 Nazi Germany, his gluttonous plate perpetually burgeoning; focuses on the world …
Read More »ALL IS LOST
Urged by a super intuitive, intelligent friend, I grudgingly went to see “All Is Lost”; remarkably, one of the finest films of the year. I am in her debt. My trepidation was the resiliency of “Cast Away” (2000,film); Tom Hanks’ stupendous performance as a Fed Ex engineer stranded for years on an island; his sole companion “Wilson” (never have viewed …
Read More »GREAT EXPECTATIONS
There was a time when I found Charles Dickens, “Miss Havisham”(Helena Bonham Carter crafted for the character) wildly, weirdly, romantic; jilted on her wedding day, spending her life, encased in her bridal finery as sanity morphs into lunacy; preparing her ward, “Estella” for society and manipulating poor “Pip” whose “expectations” never attain “greatness”. Sadly, the tale is stale and incapable …
Read More »DALLAS BUYERS CLUB
Matthew McConaughey joins the elite league of actors who have shed morbid amounts of weight to define the role’s they are depicting: Christian Bale “The Machinest” Michael Fassbender, “Hunger”, contemporaries; three men, young enough to replenish what they sacrificed in months of scary, voluntary anorexia. Matthew McConaughey, as nonfictional “Ron Woodroof”: raunchy, alcoholic, drug- addicted, heterosexual; diagnosed HIV positive in …
Read More »KILL YOUR DARLINGS
1943, Allen Ginsberg (1926-97) receives a scholarship to Columbia University, New York City; plagued with a dysfunctional, delusional mother; his father, a published poet, encourages his exit. From the moment he commences college, his psychological shackles are unhinged by classmate Lucian Carr (1925-2005); bright, indolent, beautiful, he introduces Ginsberg to Jack Kerouak (1922-69), William S.Burroughs (1914-97) and outsider David Kammerer …
Read More »SPINNING PLATES
Two months ago I was feted, by my children, to a gastronomical degustation, fit for royalty; four hours of unrelenting, awesome culinary creations; organic, sculptural, floating, fired artistry defying the imagination and palate; cuisine, mythically inspired by a genius, whose gifts surpass Olympian proportions, chef Grant Achatz , renown innovator and owner of “Alinea”, a Michelin three-star restaurant, in Chicago. …
Read More »CHICAGO FILM FESTIVAL: QUIET FILMS ORCHESTRATE A CACOPHONY OF QUESTIONS AND REFLECTIONS
CHASING FIREFLIES (COLOMBIA:ENGLISH SUBTITLES) A film that unveils the fine line between being alone and loneliness. In a desolate Colombian salt mine, “Manrique” , a simple man, cares for the property; his sole companion, a dog “chasing fireflies”, defines his comfortable isolation until a young, sprite “Valeria” trespasses on his turf and irrevocably, magnificently changes his existence. Director Roberto Flores …
Read More »TRIFECTA AT THE FEST: 3 FOREIGN WINNERS FROM THE CHICAGO FILM FESTIVAL
MY SWEET PEPPER LAND: (IRAQ, FRANCE, GERMANY:ENGLISH SUBTITLES) Scintillating blend of contemporary and archaic spheres in a destitute Kurdish village after the death of Saddam Hussein. “Govend” a gorgeous, idealistic educator convinces her father and seven brothers to allow her to return to her teaching position in this testosterone-driven village; she meets “Baran” the police commissioner, a fearless war veteran, …
Read More »CAPTAIN PHILLIPS
Recently, there have been films, based on actual people, cosmic events, that have been controversial, challenged because of their supposed inaccuracies or flawed “hair-raising” technicalities: “The Butler”, “Gravity” and now “Captain Phillips”. Unless billed as a documentary, I gift “poetic license” to the filmmakers. These films are stunning, immensely entertaining and worthy of their embellishments or lack thereof. Once again, …
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