Peneflix

WARFARE (IN THEATRES)

Directors/writers Alex Garland and Ray Mendoza create one of the most fermented, realistic films abo…
LETTER FROM AN UNKNOWN WOMAN (1948) PARIS THEATRE, NEW YORK, ROMANCE FILM FESTIVAL

On a recent sojourn in the city of bemouth culture I experienced a film, never seen, ever heard of, …
BOB TRAVINO LIKES IT (in theatres)

Periodically you visit a film that strikes the perfect cord, totally in sync, aligned with the human…
THE ALTO KNIGHTS (in theatres)

Director Barry Levinson and actor Robert De Niro have a long and varied filmic relationship: “Sleepe…
BLACK BAG (in theatres)

Stylishly slick. Prescient, well-honed actors at their physical peak working under the direction of…
SEVEN VEILS (in theatres)

“Salome” and I have been friends for eons; our first encounter was in Bible Studies, she was introdu…
PENEFLIX REFLECTIONS ON 97TH ACADEMY AWARDS

I liked “Anora” (review here) but never to the extent of its victories at this year’s Academy Awards…
CAPTAIN AMERICA: BRAVE NEW WORLD (in theatres)

Actually, a better choice is to revisit Stanley Kubrick’s “2001: A Space Odyssey” which commences th…
PENEFLIX PREDICTIONS: 97TH ACADEMY AWARDS

Another banner year in movie-making history; in so many ways it was glorifying, shockingly innovativ…
BRING THEM DOWN (in theatres)

An intensely orchestrated and depicted feud between two Irish families in the solemn, untarnished, u…
I’M STILL HERE ( Brazil: Portuguese, English subtitles) in theatres

The commencement of this potent, poignant, profound film is saturated in palatable love; director Wa…
PRESENCE (in theatres)

Everyone, at one time or another has sensed, without seeing, the presence of an unknown entity or ex…