Peneflix

LETTER FROM AN UNKNOWN WOMAN (1948) PARIS THEATRE, NEW YORK, ROMANCE FILM FESTIVAL

On a recent sojourn in the city of bemouth culture I experienced a film, never seen, ever heard of, …
BOB TRAVINO LIKES IT (in theatres)

Periodically you visit a film that strikes the perfect cord, totally in sync, aligned with the human…
THE ALTO KNIGHTS (in theatres)

Director Barry Levinson and actor Robert De Niro have a long and varied filmic relationship: “Sleepe…
BLACK BAG (in theatres)

Stylishly slick. Prescient, well-honed actors at their physical peak working under the direction of…
SEVEN VEILS (in theatres)

“Salome” and I have been friends for eons; our first encounter was in Bible Studies, she was introdu…
PENEFLIX REFLECTIONS ON 97TH ACADEMY AWARDS

I liked “Anora” (review here) but never to the extent of its victories at this year’s Academy Awards…
CAPTAIN AMERICA: BRAVE NEW WORLD (in theatres)

Actually, a better choice is to revisit Stanley Kubrick’s “2001: A Space Odyssey” which commences th…
PENEFLIX PREDICTIONS: 97TH ACADEMY AWARDS

Another banner year in movie-making history; in so many ways it was glorifying, shockingly innovativ…
BRING THEM DOWN (in theatres)

An intensely orchestrated and depicted feud between two Irish families in the solemn, untarnished, u…
I’M STILL HERE ( Brazil: Portuguese, English subtitles) in theatres

The commencement of this potent, poignant, profound film is saturated in palatable love; director Wa…
PRESENCE (in theatres)

Everyone, at one time or another has sensed, without seeing, the presence of an unknown entity or ex…
HARD TRUTHS (in theatres)

Director Mike Leigh has created a paradigm of an individual who makes the act of complaining into an…