Peneflix

THE WEDDING BANQUET ( English, Mandarin) in theatres

“The course of true love never did run smooth” and director Andrew Ahn’s “The Wedding Banquet” jumps…
THE SHROUDS (in theatres)

Director David Cronenberg’s imaginative fecundity never ceases to astound; his intelligence and heur…
THE AMATEUR (in theatres)

Director James Hawes gifts viewers an intelligent vigilante scenario where revenge is not served col…
DROP (in theatres)

Two exceedingly likable actors, Meghann Fahy and Brandon Sklenar star in “Drop” an innovative scenar…
WARFARE (IN THEATRES)

Directors/writers Alex Garland and Ray Mendoza create one of the most fermented, realistic films abo…
LETTER FROM AN UNKNOWN WOMAN (1948) PARIS THEATRE, NEW YORK, ROMANCE FILM FESTIVAL

On a recent sojourn in the city of bemouth culture I experienced a film, never seen, ever heard of, …
BOB TRAVINO LIKES IT (in theatres)

Periodically you visit a film that strikes the perfect cord, totally in sync, aligned with the human…
THE ALTO KNIGHTS (in theatres)

Director Barry Levinson and actor Robert De Niro have a long and varied filmic relationship: “Sleepe…
BLACK BAG (in theatres)

Stylishly slick. Prescient, well-honed actors at their physical peak working under the direction of…
SEVEN VEILS (in theatres)

“Salome” and I have been friends for eons; our first encounter was in Bible Studies, she was introdu…
PENEFLIX REFLECTIONS ON 97TH ACADEMY AWARDS

I liked “Anora” (review here) but never to the extent of its victories at this year’s Academy Awards…
CAPTAIN AMERICA: BRAVE NEW WORLD (in theatres)

Actually, a better choice is to revisit Stanley Kubrick’s “2001: A Space Odyssey” which commences th…