Netflix and Beyond

Shia LeBeouf has accomplished the unfathomable, by cloning his father, in one of the most astounding performances on today’s screen; searing, illuminating pain informs his characterization of “James Lort” a washed-up rodeo clown, recovering alcoholic, living off the largess of his twelve-year-old son, “Otis” (remarkable, Noah Jupe, “Ford vs Ferrari”) a juvenile movie star; LeBeouf, facing his own demons, diagnosed …

A nuclear family living an upwardly mobile lifestyle on a bucolic tree-lined street, in sanctified suburbia: teenagers “Tyler” (Kelvin Harrison, Jr. “Luce”)  and “Emily” (Taylor Russell) lovingly, firmly trapped under the tutelage of their father, “Ronald” (Sterling K. Brown); stepmother “Catherine” (Renee Elise Goldsberry), a physician, softens the dictates of inexorable Ronald; Tyler is a gifted, competitive wrestler, hiding his …

Aching in its exquisiteness, director/writer Noah Baumbach’s “Marriage Story” is paralyzing with its candor, straightforwardness, dignity, veracity; a couple who’ve lost their tenuous hold on togetherness, the “ties that bind”, now shackle; love’s elasticity threadbare, worn, irreparable. Adam Driver and Scarlett Johansson, give Academy Award performances as the broken couple, “Charlie” and “Nicole”; he is a wunderkind stage play director, …

Director James Mangold (“Walk the Line”) gratuitously, spectacularly blesses audiences with a film designed to please, placate, entertain, not just racing enthusiasts, but all film devotees. Matt Damen and Christian Bale dominate the screen (reminiscent of Brad Pitt and Leonardo DiCaprio in “Once Upon a Time in Hollywood”) imbuing their friendship with simple, sublime sincerity; integrity rarely demonstrated. Bale is …

A preposterous premise, flirting with the absurd, leaves one groaning with its inanity; septuagenarian “Betty” (Helen Mirren) and octogenarian “Roy” (Ian McKellen) meet on a dating site (lunacy commences); coy clichés, saturated with gullibility, daffy naiveté; Betty, a supposed Oxford scholar, hoodwinked into combining her fortune with Roy’s; from the get- go, we are cognizant that Roy is the optimum …

Why did this movie, with one of the poorest, pathetic scripts ever birthed, soar to box office heights its first weekend? Because folks wanted pure, jingoism; director Roland Emmerich (“Independence Day”, “White House Down”), lionized the heroic tactics of the U.S. Navy on June 4-7, 1942, defeating the Japanese at the Battle of Midway; commencing with the December 7, 1941 attack …

2019’s Asian films have held Western audiences enthralled: “Parasite”, “My People, My Country”, “Gully Boy”. “Better Days”, is a stunner, based on reality, director Derek Tsang, despite controversy, is breaking records, surpassing 190 million USD; focusing on the insidious, universal epidemic of bullying; “Chen Nian” (brilliant, Zhou Dongyu), a teenager struggling with a debt-ridden mother, being taunted by her contemporaries …

Director/writer Robert Eggers emulates predecessors Orson Wells and William Wyler with his black and white creation, “The Lighthouse”; a tale of two freakish outliers that will fiendishly haunt you long after their filmic exit; Willem Dafoe and Robert Pattinson, lighthouse keepers, “Tom” and  “Ephraim”;  Shakespearean in pathos, hubris and creepy comparisons to “Captain Ahab”; Tom (Dafoe at his pinnacle) is …

A paragon of fortitude, courage, selflessness; Harriet Tubman (1820?-1913) depicted with monumental, staggering, dignity by actor Cynthia Ervio; Tubman, whose visage is worthy of any currency, stamp, postcard; canonization should be hers. Director Kasi Lemmons, without empiricism, gifts Harriet Tubman the lionization she earned, won, by standing against and treading upon evil: “people were not meant to own other people.” …

From the first scene I was ambushed, happily held captive; reminiscent of archaic Humphrey Bogart movies; Edward Norton gives viewers a character of comprehensive uniqueness; afflicted with Tourette’s syndrome, in tandem with a photographic memory, private detective “Lionel Essrog” (Motherless Brooklyn) relentlessly pursues his boss and closest friend’s killer; Bruce Willis as “Frank Minna” owns this minimal but gutsy role; …