Hollywood

Immersive perfection graces Bradley Cooper’s cloning of Composer/Conductor Leonard Bernstein (1918-1990); elegiac in deportment, dazzling depth, Cooper as star, producer, director oozes with the “blood, sweat and tears” of a rarefied genius, a polymath whose skill, innovation conquered the galaxy, anchored eternally in the stratospheric. “Maestro” without apology, spotlights Bernstein’s sexuality; in essence the man had a gargantuan capacity to …

Napoleon Bonapart (1764-1821) a man of military might, gifted France the Napoleonic Code of Law, still in existence today; established higher education, a central bank and a street and sewer system. So why in the name of filmdom did director Ridley Scott and actor Joaquin Phoenix depict his life as a cartoonish, blubbering, foppish dolt? Phoenix (Academy Award, “The Joker”, …

Priscilla Ann Wagner (b. May 24th, 1945); her biological father James Wagner, was killed in a plane crash shortly after her birth; she was raised by her mother Ann and stepfather Paul Beaulieu, an officer in the Air Force; the question will always niggle as to why her parents allowed her at the age of fourteen, to date a man …

“THE HOLDOVERS”            IN THEATRES Poignantly predictable, two contradictory characters (“Professor Paul Hunham”, Paul Giamatti, and student “Angus”, Dominick Sessa), lock horns over a Christmas holiday at a boy’s boarding school; it is 1970 and director Alexander Payne remains true to the era; Giamatti’s curmudgeonly, warm and wonderful performance as a brilliant, flawed ancient civilizations teacher, …

Taylor Swift, 33 years old, 5’11, more than a Brand, Meme, is a contemporary, effulgent, Megastar; her palpable, preeminent genius in composing, singing, dancing, instrumentalist, transcends the anticipated, soaring into a “Swift” realm, unimaginable, indescribable to a seasoned adult who, apart from her name, was startlingly innocent of her heuristic acuity. More than a film, concert, the Eras (an epoch) …

“In the early 1920s, Osage Indians where the richest people, per capita, on the planet.” Director Martin Scorsese’s ambitious, masterfully pointed epic brings to the fore the egregious, manipulative murders perpetrated (for profit) on a tribe that inhabited oil rich land; calculated killings of those Indians, whose marriages to white spouses, gifted the survivors of the deceased, a preordained inheritance. …

Director Jonathan Glazer has accomplished the remarkable in his adaptation of Martin Amis’s novel of the same title (which bears little resemblance to Amis’s script).  The film resonates, pierces the psyche, transcends the scenario, adept performances, it sears redolently with the SOUND of the unimaginable; eyes shut, the soundtrack bleats with symphonic chords of horror, annihilation, ethnic elimination; Mica Levi’s …

Director Kitty Green gifts viewers one of the most innovative, surprising films of the year. Two young Canadians “Hannah” (Julia Garner) and “Liv” (Jessica Henwick) find themselves running out of funds while experiencing the sights, seductiveness of the only country in the world that covers an entire continent, Australia; the daunting vastness minimizes its inhabitants especially in the parched outback …

“THE ORIGIN OF EVIL”  FRENCH: ENGLISH SUBTITLES   (IN THEATRES & SOON NETFLIX) There is nothing as satisfying as a supreme whodunit, and the French excel at titillation and obfuscation. Actor Laure Calamy, “Stephanie”, in a transformative performance seeks to reunite with her estranged, wealthy father “Serge” (virtuoso role by Jacques Weber); from the onset surprises await at every turn; director …

Again, Agatha Christie (1890-1976) commands center stage in theatres capturing the enigmatic, floating, watery wonderland of Venice in 1947; atmospherically lyrical, raucous rain clutches archival architecture on ghostly Halloween. An eerie, spooky soundtrack with dashing drawings, resembling works of Edvard Munch, Wiliam Kentridge, and Kara Walker prance across the screen while children render excitement and terror to the decaying mansion …