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1917

Writer/director Sam Mendes’s visual, fictionalized account  of a WW1 incident told to him by his grandfather, Alfred Mendes; “1917” differs from traditional “war” films in its intimacy; two British corporals sent on a death-defying mission, through still volatile, vacated enemy lines, to cauterize an attack by an ally battalion, an attack, orchestrated by the Germans, risking the lives of 1,600 …

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LITTLE WOMEN

This spirited fourth major film adaptation of Louisa May Alcott’s (1832-1888) seminal “Little Women” (1868) is a refreshing, feisty, revamping of a tale that has everlasting appeal; its timelessness touching imaginations, one generation after another; director Greta Gerwig’s contemporary interpretation resonates with the pungency of twenty-first-century resolve adorned in the accoutrements of the nineteenth century; Concord, Massachusetts; severity of the …

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THE “CATS” CONUNDRUM

“Cats” debuted in London,1981; based upon T. S. Eliot’s 1939  “Old Possum’s Book of Practical Cats” composer Andrew Lloyd Webber, with Merlin magic, stupefied audiences with his innovative, anthropomorphic felines; it was a sensation that captured the imaginations of theater goers throughout the world and continues to do so, even today, with this uneven production by Academy Award winning director …

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A HIDDEN LIFE

Writer/auteur Terrence Malick, has superlatively, with fecund imagination, blessed audiences with a masterpiece simmering in sacredness; a marriage of such profundity, depth, it transcends description; an aesthete, Franz Jaggerstatter (August Diehl) marries Fani (Valerie Pachner), a woman whose every fiber is matched dreamily with her husband; peasant farmers, in the Elysian, pastoral fields of Austria; twentieth- century madness of WWII …

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BOMBSHELL

After seeing Showtime’s “The Loudest Voice”, starring a pneumatic Russell Crowe, as Predator Poster Boy, Roger Ailes, Founder and CEO of Fox News; “Bombshell’s” repetitive version holds minimal surprises, just subtle analysis of the same scenario; top notch performances by Charlize Theron as Megyn Kelly’s clone; Nicole Kidman as the impetus (bombshell) Gretchen Carlson, signaling the demise of the bovine …

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A BEAUTIFUL DAY IN THE NEIGHBORHOOD

If you missed 2018’s “Won’t You Be My Neighbor?”, (reviewed 7/4/18) joyously heartfelt documentary featuring the blessed Fred Rogers (1928-2003) directed by Morgan Neville, “A Beautiful Day in the Neighborhood”  will satiate your wonderment of a man whose goodness surged from his every pore; director Marielle Heller, without compromising Mr. Rogers mystique, concentrates on his empathetic skill to disinfect more …

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RICHARD JEWELL

Flannery O’Connor’s “A Good Man is Hard to Find” was pungently resonating watching Clint Eastwoods’s biopic of the treacherous treatment of Richard Jewell, a thirty-three-year-old security guard who discovered a bomb, in 1996’s Centennial Olympic Park, Atlanta, Georgia; saving countless, his fate twisted, screaming that “no good deed goes unpunished”, the F.B.I. and the media target him as the prime …

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QUEEN & SLIM

Director Melina Matsoukas and writer Lena Waithe strut their inventive filmic style in “Queen and Slim”; reminiscent of “Bonnie and Clyde”, a couple on the lam after an untoward incident triggered by the inadvertent death of a police officer; there are more differences than similarities between the two films; whereas Bonnie and Clyde were deliberate outlaws, savoring and initiating their …

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DARK WATERS

More than intelligent “Dark Waters” elucidates one man’s remarkable feat in besting and forcing accountability from a behemoth of corporate malfeasance, DuPont; it took years of Herculean efforts to bring the egregious, criminal dumping of toxic waste into the waters servicing the people and livestock of Parkersburg, West Virginia; Mark Ruffalo invests, corporate defense attorney, Robert Bilott, with unflinching integrity, tenacity …

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THE IRISHMAN (NETFLIX)

Without the quilt of a quisling, or Judas Iscariot, I imbibed for three and a half hours in Martin Scorsese’s epic narrative of mob culture, in the comforting confines of my home; instead of feeling cheated of the darkened theatre, I felt a surprising intimacy with the characters; up close and personal, aided by digital age-erasure technology, the major protagonists …

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