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Monthly Archives: June 2026

UNIDENTIFIED   (Arabic with English subtitles) in theatres

Filmmakers are often generous in their observations and perspectives, showing less judgment toward the “other” and balancing the opposing side of the equation. “Unidentified,” directed by Saudi Arabian filmmaker Haifaa al-Mansour—one of Saudi Arabia’s first and finest female directors (“Wadjda,” “Mary Shelley”)—reflects her universal, inclusive, and intelligent sensibility. Now living in California, al-Mansour emerges from a Saudi film culture that …

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YES  (Amazon Prime)

Peneflix rarely reviews films on streaming platforms, but I have been eagerly awaiting this highly controversial film from Israeli director Nadav Lapid (“Ahed’s Knee”). It is worth viewing for its insight into the experience of an Israeli whose life is constantly overshadowed by the specter of death. “Yes” follows a contemporary pianist “Y” Ariel Bronz, his wife “Yasmin” Efrat Dor, …

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DISCLOSURE DAY (in theatres)

In preparation for this enormously edifying film, I watched “Close Encounters of the Third Kind” (1977) for the third time, and its timely forecasting of “Disclosure Day” out of the inimitable imagination of director Steven Spielberg. This visitation held and focused my mind on the musical score composed by John Williams; its five-note musical motif was the communication tool used …

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POWER BALLAD (in theatres)

In absolute truthfulness the Jonas Brothers did not rent any real estate in my musical realm until Nick married Bollywood icon Priyanka Chopra; a woman of significant beauty, fantastical talents and lauded throughout India. He had to be a man of substance to be her choice. “Power Ballad” featuring Paul Rudd, “Rick Power” a middle-aged wedding band singer in Ireland …

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PRESSURE (in theatres)

At this point in 2026 meteorologists, aided by advanced technology, are fairly accurate in their forecasts. In the 1940’s it was a different equation especially battling a war in Europe; intense, titillating, action focuses on the 72 hours before the planned D-Day on June 5th, (6th) 1944. Director Anthony Maras (“Hotel Mumbai”) and writer David Haig gift viewers a breathtaking …

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BACKROOMS  (in theatres)

Magnificent metaphors directed by 20-year-old YouTuber Kane Parsons; visiting the product of his pristine ingeniousness viewers are positively provoked to crawl among personal cauterized memories; surrealistic artists referenced throughout the rooms; sculptural reminders by Marcel Duchamp, or contemporary creator Juame Plensa goading us to transform our past actions into tools of recovery and discovery. The backrooms bring to the fore …

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