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WIDOWS

English director/artist/screenwriter Steve McQueen first registered on my artistic radar screen in 1996 when the Museum of Contemporary Art in Chicago featured his short film “Five Easy Pieces”; his meteoric rise has been a quintessential example of the “cream rising to the top”; Museums have lionized him: The Art Institute of Chicago featured a swimmingly sensational exhibit in 2012; winner …

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A PRIVATE WAR

Marie Colvin’s (1956-2012) remarkable life as a foreign correspondent is depicted with stunning refinement by Rosamund Pike. A Yale graduate, Marie worked for the London Sunday Times from 1985 until her death in 2012. “A Private War” devoid of romanticism, depicts a woman of vast intelligence, fearlessly intrepid, treading in theatres of war, where only a few dared to stride. …

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THUGS OF HINDOSTAN

Bollywood Goliath, Aamir Khan, stars in this 3-hour, monolithic saga, revolving around English/Indian travails in the late eighteenth, early nineteenth centuries; costing 200 crores (topping 2 billion dollars) the film is a total dud, and the worst movie Khan has ever made; his character “Firangi” weakly reminiscent of Johnny Depp’s in “Pirates of the Caribbean” is a conniving, duplicitous buffoon; …

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BOY ERASED

Earlier this year we were treated to an enchanting story of a conflicted seventeen-year-old boy struggling to inform his family that he is gay; “Love, Simon” tempered the angst, placating, instead of challenging, one’s sensitives, it was an excellent, “feel good” film. “Boy Erased” is a powerful, controversial observation of the effects of “conversion therapy”; based upon the 2016 memoir …

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THE GIRL IN THE SPIDER’S WEB

The Girl with the Dragon Tattoo Trilogy by Stieg Larsson (1954-2004, published posthumously) gifted readers one of the most creatively untoward heroines to grace, dazzle and spellbind lovers of fictional mastery, in contemporary literature; “Lisbeth Salander” a Merlin of computer hackers, a female Jackie Chan, a savant with an uncanny perspicacity, was first depicted by Noomi Rapace, in the Swedish …

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WHAT THEY HAD

Tolstoy said “the greatest surprise in life is old age”; haunting veracity of this phrase glibly informs the scenario of writer/director Elizabeth Chomok’s “What They Had”; a refined portrait of diminishment; “Ruth Everhardt” (sublime, Blyth Danner) is enmired in the quicksand of “Alzheimer’s”, its pathos affecting “Burt” (Robert Forster is galvanizing) her desperately devoted husband;  “Nick” (irrepressible Michael Shannon) beleaguered, …

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WILDLIFE

Gloom, bleakness, a pensive dread hovers over the initial scenes of this vital, directorial debut by Paul Dano; a family on the brink of disintegration, newcomers to a tiny community in Montana, where fires are devouring the mountainous range; blue skies warring with encroaching, villainous smoke.  The major conflagration is silently raging in the “Brinson” household: “Jerry” (another prescient performance …

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BOHEMIAN RHAPSODY

Run to see this film, worth so much more than its admission fee; run to see the enormity of Rami Malek’s performance as Freddie Mercury (Farrokh Bulsara), the lead singer in the English band “Queen”; run to see glorious filmmaking and a musical feat of wizardry, the total reenactment of Queen’s 1985 set at “Live Aid” concert,  Wembley Stadium, London.  …

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THE GOOD DOCTOR (ABC, MONDAY NIGHTS, YOUTUBE, HULU, AMAZON PRIME)

Never have I encountered a more compelling, fascinating, enchanting character than “Doctor Shaun Murphy”, played sensationally, inimitably by Freddie Highmore; afflicted with autism/savant syndrome, his diagnostic dexterity matches iconoclastic “House” (Hugh Laurie); Dr. Murphy is filter-less, caustically correct, not only with a patient’s illness but imperfections in his/her deductive reasoning; his brilliance is tempered by loneliness, isolation, fear of friendship …

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THE HATE YOU GIVE

By far, one of the most intelligent films of the year. Director George Tillman Jr.’s outstanding depiction of Angie Thomas’ novel “The Hate You Give” is spellbinding; contemporary to the point of comfortable redundancy: we recognize the protagonists, we understand them, we know them, we befriend some and avoid others; characterization developed to perfection, especially “Starr Carter” a dynamic sixteen-year-old …

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