Netflix and Beyond

A preposterous premise, flirting with the absurd, leaves one groaning with its inanity; septuagenarian “Betty” (Helen Mirren) and octogenarian “Roy” (Ian McKellen) meet on a dating site (lunacy commences); coy clichés, saturated with gullibility, daffy naiveté; Betty, a supposed Oxford scholar, hoodwinked into combining her fortune with Roy’s; from the get- go, we are cognizant that Roy is the optimum …

Why did this movie, with one of the poorest, pathetic scripts ever birthed, soar to box office heights its first weekend? Because folks wanted pure, jingoism; director Roland Emmerich (“Independence Day”, “White House Down”), lionized the heroic tactics of the U.S. Navy on June 4-7, 1942, defeating the Japanese at the Battle of Midway; commencing with the December 7, 1941 attack …

2019’s Asian films have held Western audiences enthralled: “Parasite”, “My People, My Country”, “Gully Boy”. “Better Days”, is a stunner, based on reality, director Derek Tsang, despite controversy, is breaking records, surpassing 190 million USD; focusing on the insidious, universal epidemic of bullying; “Chen Nian” (brilliant, Zhou Dongyu), a teenager struggling with a debt-ridden mother, being taunted by her contemporaries …

Director/writer Robert Eggers emulates predecessors Orson Wells and William Wyler with his black and white creation, “The Lighthouse”; a tale of two freakish outliers that will fiendishly haunt you long after their filmic exit; Willem Dafoe and Robert Pattinson, lighthouse keepers, “Tom” and  “Ephraim”;  Shakespearean in pathos, hubris and creepy comparisons to “Captain Ahab”; Tom (Dafoe at his pinnacle) is …

A paragon of fortitude, courage, selflessness; Harriet Tubman (1820?-1913) depicted with monumental, staggering, dignity by actor Cynthia Ervio; Tubman, whose visage is worthy of any currency, stamp, postcard; canonization should be hers. Director Kasi Lemmons, without empiricism, gifts Harriet Tubman the lionization she earned, won, by standing against and treading upon evil: “people were not meant to own other people.” …

From the first scene I was ambushed, happily held captive; reminiscent of archaic Humphrey Bogart movies; Edward Norton gives viewers a character of comprehensive uniqueness; afflicted with Tourette’s syndrome, in tandem with a photographic memory, private detective “Lionel Essrog” (Motherless Brooklyn) relentlessly pursues his boss and closest friend’s killer; Bruce Willis as “Frank Minna” owns this minimal but gutsy role; …

Earlier this year I attended a lecture concentrating on the contributions, competitions, inventions of: Thomas Alva Edison (1847-1931), George Westinghouse (1846-1941), Nikola Tesla (1856-1943); the professor’s initial question was “who was the greater genius?”; the vast majority of upraised hands were for “Tesla”; over two hours of fascinating edification left me longing for the film, directed by Alfonso Gomez-Rejon (“American …

Massively heralded by film festivals worldwide, I found director/actor Taika Waititi’s “Jojo Rabbit”  decidedly disturbing commencement, laden with solipsist sensationalism; nearing the end of WWII, German ten-year-old “Jojo” (extraordinary, mesmerizing Roman Griffin) and his imaginary friend Adolf Hitler (Taika Waititi) taut the sardonic blessings of being a paragon of Nazism: blue-eyed, virulent, anti-Semitic Aryans; Jojo, armed and prepared to defend …

After bushels of popcorn, mounds of milk duds, gallons of diet coke, but quintessentially a myriad of fine films, time to bid adieu to the 55th Chicago International Film Festival; so long to heart palpating, mind boggling, enlightening, stunning scenarios; energizing, electrifying movies that titillate, horrify, prod viewers to tear down, blast ingrained perceptions, opening highways never tread, leading to …

In its 55th year and stylishly stunning in its elucidation, diversity, and searing topics; documentaries have gone beyond the pale in focusing on subjects and events worthy of exposure, illumination; highlighted are: FORMAN VS FORMAN (reviewed 10/22), THE HYPNOTIST (reviewed 10/24) MOTHER (reviewed 10/24) LOVE CHILD: winner of the Gold Hugo for Best Documentary (yet to be seen).   “THE …