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KON –TIKI

This enthralling, riveting, compelling film is for anyone who has actualized their dreams, defied the “odds” and the “gods”,  bulldozed antagonistic skeptics, spitting in the eye of the disbeliever; castrators of ingenuity, promise;  and for all those who have yet to slay the cynics;  give birth, sculpt their fantasies into reality. “Kon-Tiki” is filmmaking at its pinnacle; actors, especially Pal …

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THE RELUCTANT FUNDAMENTALIST (IN THEATRES AND ON DEMAND)

Based on the 2007 novel by Moshin Hamid, directed by Mira Nair, far exceeded the limited and problematic boundaries of the book; blatant honesty informs intelligent characters: flawed, wounded, irrevocably altered by heinous, untoward circumstances; Ms. Nair and fine acting gift viewers a raw, realistic, radical story of metamorphosis, indoctrination, transformation from the benign to “the reluctant fundamentalist” . Riz …

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PAIN & GAIN

It will take years of the therapeutic process to conclude “why” , with knowledge and foresight, I went to see this terrifically awful film; questioning the soundness of my mind, the stability of of my judgment I can only surmise I suffered from a temporary loss of sanity or a petit mal seizure. Based on a true story which transpired …

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RENOIR (FRENCH WITH ENGLISH SUBTITLES)

Pierre-Auguste Renoir (1841-1919), masterful champion of “Impressionism” is brilliantly depicted by Michel Bouquet in Gilles Bourdos film about the legendary painter at the conclusion of his life, in tandem with his second son “Jean” (1894-1979, destined to be the iconic filmmaker), at the commencement of his, (Vincent Rottiers); linked by “Andree” (Christa Theret) the luminous, endorphin-infused, final muse of Renoir …

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MUD

Matthew McConaughey, son of a gas station owner,  first captured and glued my attention in the 1996 “A Time to Kill”; he has had some bad films (“Ghosts of Girlfriends Past”) but throughout his career, the forty-four- year old actor has been incredibly perspicacious in role selection. As “Mud” he excels, as a good- hearted miscreant who manipulates two fourteen …

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BLANCANIEVES (SILENT FILM FROM SPAIN, ENGLISH SUBTITLES) SNOW WHITE AND THE “6” DWARFS

Pablo Berger’s homage to silent, black –and -white film’s legendary history was the opening feature at the Palm Springs Film Festival in January. Referencing the Grimm Brothers historical fairy tale; flaying “Disneyesque” (1937), benign, whistling interpretation, Berger’s heroine is of stronger, tougher “stuff”; “Carmen” (“Snow White”) inherits from her father, a matador’s muleta. Seville, Spain in the 1920’s harbors the …

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DISCONNECT

Riveting, thrilling “Disconnect” is paradigmatic of the twenty-first century’s addiction to cell phones, internet; obsessed with 24/7 connectivity; diners, noncommunicative spheres; emailing, texting, eating, “I tweet, therefore I am”; constant collisions on streets and sidewalks; coffee shops, airports are hotbeds of the colossal mania to Twitter, Skype; Facebook has electrified, energized relationships, correspondence; also piloting the death of introspection. Director …

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OBLIVION

In recent years there has been a monumental surge of apocalyptic films, highlighting the devastation, detritus, bruised and broken monuments and sparse inhabitants roaming in lawless, “survival of the fittest” abandonment: “The Road”, “The Book of Eli”,  “Warm Bodies”, “Walking Dead”, upcoming “After Earth” ; all of these films resonate powerfully with  young audiences, a conundrum I found mystifying until …

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THE COMPANY YOU KEEP

Many remember the days of riots and ruination; 1968, the Democratic Convention in Chicago gave birth to the “Chicago 7”, “Weatherman” “Weather Underground”, “Revolutionary Youth Movement”; sad, delusional, debilitating time when young people worldwide violently protested America’s involvement in Vietnam; a war that altered America forever; creating the division between modern and post modern society; people of promise, jailed or …

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TRANCE

Terrific acting informs this convoluted conundrum of flashbacks revolving around the theft of a Francisco Goya (1746-1828) painting (“Witches in the Air”); which is where the audience hovers between nonfiction and the twilight zone; Danny Boyle’s slick scenario, at best, is masterful manipulation but flounders when dealing with the consequences of the therapeutic process focusing on hypnosis (“trance”) and those …

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