Tuesday evening the world witnessed, Live, the nadir of American politics: slaughter of civility, denigration of a morality we should expect and categorically deserve from our leaders; instead, like the murder of George Floyd, the supposed head of the free world and his challenger failed the populace, shocking with stunning vituperative, scurrilous verbiage, murdering decency: an amoral bully, pledging not …
Read More »I SEE YOU (NETFLIX) THE GIRL IN THE FOG (ITALIAN: ENGLISH SUBTITLES) AMAZON PRIME
Two mysteries created to titillate the most seasoned of “series” or movie sleuths; missing murdered children, myriad of homicidal possibilities; both infused with an appropriate modicum of barbarity, enough to stave off ennui, and most importantly, capitalize on the element of surprise. “I See You” commences benignly with the search for a missing teen: Jon Tenney (“The Closer”, “Major Crimes”) …
Read More »MULAN (DISNEY+) & THE EIGHT HUNDRED (CHINESE:ENGLISH SUBTITLES)
Despite the political hubris, here are two films, whose attributes render the purist forms of entertainment: magically, magnificently filmed, landscapes proving a higher power, extraordinary metaphors universally resonating in this pandemic period; in spite of the controversy bubbling around the mythical “Mulan” or the veracity of the non-fictional “The Eight Hundred” directors Niki Caro’s (“Mulan”) and Guan Hu’s (“The Eight …
Read More »TRAIN TO BUSAN (KOREAN: ENGLISH SUBTITLES) NETFLIX & SEQUEL, PENINSULA (THEATRES)
Korean filmmakers are “kings of creep” and the horror genre topples the titillation scale with their imaginative creativity; a genre that seems to have exponentially grown with the pandemic; things can degenerate and viewing these films confirms the worst case scenario. Director Yeon Sang-ho scores with an allegorical tale of zombies versus humans, on a train to “Busan”; a “virus” …
Read More »MR. SUNSHINE (SOUTH KOREAN: ENGLISH SUBTITLES) NETFLIX
Periodically one experiences a film, a television series so remarkably outstanding, that words to describe its potency have yet to be conjured; director Lee Eung-bok’s “Mr. Sunshine” is one of a few to populate this category; it seizes the celestial in every domain: commencing in 1871 a nine-year-old boy “Eugene Choi” flees Joseon after his parents are slain, they are …
Read More »SHE DIES TOMORROW (On Demand)
I live in a magnificent, powerful, strong metropolis; a lake enhances its beauty, even its pandemic infections did not cauterize its optimism. Now “is the summer of our discontent” egregious factions are cannibalizing our streets, bulldozing commercial property, destroying at whim our civility, our neighborhoods; orchestrated destruction erasing confidence, hope, faith in a future of cohesiveness, tranquility, where factions are …
Read More »WAITING FOR THE BARBARIANS (AMAZON PRIME)
Based upon J.M. Coetzee’s 1980 novel of the same title is a giant metaphor for imperialism in any form and the country it infects; Great Britain, the crowning imperialist, gobbled chunks of: 13 American colonies, Canada, India, Australia, New Zealand and Africa; we do not have to wait for the “barbarians”, they arrive instantaneously in the guise of “Colonel Joll” …
Read More »SUMMERLAND (Amazon Prime)
2020, destined to be immortalized as the era of Covid-19; traumatic, terrorizing, a year of cauterization, of vulnerability, unlike anything visited upon mankind since 1918, when fifty million people worldwide perished as the influenza pandemic spread its toxic tentacles. Searching for an antibiotic, a tonic to relieve the frustrations, the monotony of confinement in a structured, known environment; television is …
Read More »THE RENTAL (ON DEMAND)
The Franco brothers (James, Tom and Dave) continue to impress with their prodigious capabilities; conquering a myriad of disciplines: acting, painting, art collectors, screenwriters, producers, directors; intelligence informs their ambitions and they are unafraid of unchartered frontiers. Dave Franco’s directorial debut, “The Rental”, had promise, commencing with brothers “Charlie” (Dan Stevens, “The Guest”) and “Josh” (Jeremy Allen White), renting with …
Read More »THE PAINTED BIRD ON DEMAND (CZECH, GERMAN, RUSSIAN: ENGLISH SUBTITLES)
Jerzy Kosinski’s 1965 novel of the same name, translates into a horrific, bestial, brilliant visual experience; not for the squeamish or feint sensitivities; there are scenes seared permanently in my memory; moral turpitude on an unimaginable scale; cruelty practiced by a religious populace. Crimes perpetrated upon a young boy seeking safety, sanity in Eastern Europe, during WWII. He is Jewish, …
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