After seeing “The Kings of Summer” a terrific “coming of age” flick, I decided to skip “The Way Way Back” a repetitive version of the same theme. Fortunately, I listened to major enthusiasts whose approbation infected and inspired my curiosity, I am in their debt. “The Way Way Back” is poignantly, intelligently written, sensitively well-acted, realistic in its tale of …
Read More »FRUITVALE STATION
There is nothing more salubrious than divorcing oneself from one’s vocation, avocation; fleeing normalcy and tasting the exotic flavors of another world; China, and its explosive economic phenomena, emerging contemporary art market was my harmonic choice. For two challenging, mind-bending, vastly illuminating weeks my friend and I delved into the escalating, enthralling, exponentially expanding sphere of living Chinese artists, their …
Read More »THE LONE RANGER
Going with zero expectations I was pleasantly surprised that “The Lone Ranger” was more than minimally entertaining; primarily because of Johnny Depp’s characterization of “Tonto”, the reluctant Indian sidekick of “John Reid” aka “The Lone Ranger”. Armie Hammer, adequately morphs, from an Eastern -educated, pristine, nerdy lawyer (John Reid) into the “masked man” after his lawman brother “Dan” ( tough, …
Read More »MUCH ADO ABOUT NOTHING
Written in 1558, William Shakespeare perpetually inspires with stinging, titillating wit, sagacious repartee and timeless wisdom. The film (a true masterpiece by director Joss Whedon) is a dazzling, scintillating comedic tale, touching every element of the human condition: love, betrayal, intrigue, manipulation; portrayed in a contemporary milieu (Whedon’s home, Santa Monica, CA.) by overwhelmingly gifted actors. One does not have …
Read More »The Heat Movie Review
“The Heat” is simple, non-threatening entertainment; a light-hearted hiatus from dark, disturbing, alien, neck-chomping, aerial creatures; traumatic, post- apocalyptic fare that has invaded, monopolized today’s movie houses. Sandra Bullock and Melissa McCarthy have an on-screen chemistry that has bled into their off-screen relationship (female version, reminiscent of Vince Vaughn/Owen Wilson partnership); they depict FBI agent “Sarah Ashburn” (Bullock) and Boston …
Read More »THE HEAT
“The Heat” is simple, non-threatening entertainment; a light-hearted hiatus from dark, disturbing, alien, neck-chomping, aerial creatures; traumatic, post- apocalyptic fare that has invaded, monopolized today’s movie houses. Sandra Bullock and Melissa McCarthy have an on-screen chemistry that has bled into their off-screen relationship (female version, reminiscent of Vince Vaughn/Owen Wilson partnership); they depict FBI agent “Sarah Ashburn” (Bullock) and Boston …
Read More »WORLD WAR Z
This is an instance of “never say never”, which, when it comes to zombie movies (“Dawn of the Dead”, “Zombieland”, “Death Becomes Her”,) I have stated emphatically “never again” countless times. Truthfully, I went to see another film, had an hour to kill, ventured into a packed theatre of “World War Z”, remained seated for the entirety; expecting zilch, I …
Read More »Violet & Daisy
Doubtful if many of you have heard of this movie; in the theatres for a week, it slipped into the limitless limbo of unwatched mediocrity, praying for Netflix, On Demand to ignite a passive public’s interest in two teenage assassins, disguised as nuns, delivering pizza. Of the myriad of films I see but never review, “Violet & Daisy” resided comfortably …
Read More »VIOLET & DAISY (JAMES GANDOLFINI’S LATEST, CLOSE TO LAST FILM)
Doubtful if many of you have heard of this movie; in the theatres for a week, it slipped into the limitless limbo of unwatched mediocrity, praying for Netflix, On Demand to ignite a passive public’s interest in two teenage assassins, disguised as nuns, delivering pizza. Of the myriad of films I see but never review, “Violet & Daisy” resided comfortably …
Read More »DIRTY WARS
Are there any clean ones? All documentaries are imbued with a certain dose of subjectivity and “Dirty Wars” (based on the book of same title by Jeremy Scahill) is no exception; the difference lies in the conscience of reporter Jeremy Scahill and brilliant direction by Richard Rowley. They tackle the tactics of counterterrorism since 9/11: erasing boundaries, acceptance of collateral …
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