Heart-arresting, thrillingly beautiful, positively poignant documentary focusing on three men’s obsession with the ultimate peak, “shark’s fin” Meru Mountain; a spiritual, 21,000 foot behemoth in Gharwal, Himalaya, India. Conrad Anker, Jimmy Chin and Renan Ozturk, disparate personalities linked by their super-human skills in scaling the most inflexible, hostile of mountains; even more amazing is filming their death-defying pilgrimage; “Meru” is …
Read More »WAR ROOM
Stephen and Alex (also directed) Kendrick, writers of the surprisingly sensational, low-budget film “War Room” are comforted by audiences’ approval of a movie that bludgeons with its monumental religious message: cease judging others, accept Jesus in your heart and hearth, cast out evil; only then may you join the ranks of the righteous. The “war room” is a metaphor for …
Read More »A WALK IN THE WOODS
What I loved about this film was the lack of delineated suppositions; jarring, irritating, strident anomalies, whining, troubled, pressured protagonists; subterfuge, cataclysmic reversals; vampires and troubled teens; it was comforting, cozy watching septuagenarians stepping beyond their “years” , questing one more athletic accomplishment before relegating their dreams, unfulfilled fantasies, to the dormitory of life’s regrets. Robert Redford and Nick Nolte, …
Read More »NO ESCAPE
Preposterous plot, nonetheless compelling, riveting; manipulative, exploitive; sensationalistic, exaggerated from commencement to conclusion. “Jack Dwyer”, having bombed in his profession in the US, drags his family to some unnamed Southeast Asian country, where he is hired, by a mega- corporation, to purify their water supply; neglecting to delve into the xenophobia of the population, they arrive in the middle of …
Read More »LEARNING TO DRIVE
“Sweet”, a word I’ve always shied away from (except when referring to dessert); rhyming with “meek”, “tweak”, “geek”, “reek” , just a wishy-washy word lacking pungency or redolence. “Learning to Drive” (based on an article written by Katha Pollitt) has changed my perspective on sweetness and its properties. Patricia Clarkson and Ben Kingsley shine as student and teacher in the …
Read More »GRANDMA
Wondrous words, haywire hilarity, auspicious acting imbue writer/director Paul Weitz’s “Grandma” with a treasure trove of entertainment. Lily Tomlin as “Elle”, a bitingly brilliant poet; a woman whose partner of thirty-eight- years “Violet” has been dead for over a year; we meet Elle as she is caustically casting out her latest paramour, “Olivia” (Judy Greer); any hope of revival shrivels …
Read More »STRAIGHT OUTTA COMPTON
Almost thirty years ago this powerfully pungent, redolent, avant garde musical genre slammed our audio landscape; I found it salacious, inciting, and pejorative; “rap” predicted to fizzle and fade, surprisingly has entrenched and defined a culture so many shunned. “Straight Outta Compton” is a terrific biopic of young, gutsy, talented boys, from Compton, Ca. where youth is ephemeral, strangled by …
Read More »THE DIARY OF A TEENAGE GIRL
1976, San Francisco; home of the burgeoning pop and drug culture, Haight-Ashbury, women’s liberation; a city where needs and whims are exacerbated, gratuitously exploited; a city that caters to the disenfranchised, disillusioned, draft dodgers; the dark underbelly of an otherwise, elitist population. Written and directed by Marielle Heller (based on the book by Phoebe Gloeckner) “The Diary of a Teenage …
Read More »MISTRESS AMERICA
Greta Gerwig co-wrote with Noah Baumbach (director) and stars in this zany “Holly Golightly”, flippantly glib, inherently intelligent tale of thirty-year-old “Brook”, mistress of countless capabilities but a master of none; Gerwig is sensational in the role; Brook is a flame, dynamic, compelling, an addictive force that cements the devotion of her potential “stepsister” “Tracy”, (Lola Kirke, devastatingly divine), college …
Read More »DARK PLACES (IN THEATRES AND ON DEMAND)
Based on the book by Gillian Flynn (“Gone Girl”) and starring celestially beautiful Charlize Theron as the only witness to her family’s massacre twenty-eight years ago. “Libby Day” (Theron) has lived her life bilking the notoriety, undeservedly visited upon her; brother “Ben” has been incarcerated all these years because of her testimony. Libby, jobless, penniless, reluctantly accepts the financial offer …
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