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THE CARD COUNTER (in theatres)

You will investigate one of the more intriguing protagonists on today’s screen; “William Tell” (depicted with astounding skill by Oscar Isaac), is a gambler with inscrutable control, a card counter, winning just enough to live, avoiding the casino’s radar screen; Tell is the purist study of PTSD I have ever witnessed; jailed for his role as an interrogator at Abu …

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TO SEE OR NOT TO SEE, THAT IS THE QUESTION

“CANDYMAN”  (in theatres) A refreshing rendition of the 1992 original; taking it seriously from the get-go was an easy task because of the casting and direction (Nia DaCosta); “Candyman” is an urban legend, rising from the defunct Cabrini Green project in Chicago; doomed by his reputation, murdered unjustly; to meet him, stand in front of a mirror and say his …

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TWO MYSTERIES REVOLVING AROUND LEGENDARY ARTIST, LEONARDO DA VINCI (1452-1519)

“MYSTERY OF THE LOST PORTRAIT” (AMAZON PRIME) Remarkability pungently, powerfully informs these two documentaries about a man, a polymath, whose iconic genius defies categorization: analyzation of the human body, helicopter, parachute, armored tank, a pioneer in the field of robotics, but it is his visionary paintings that cement his lionization, still pulsating fervently at the center of today’s art world, …

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TO STREAM OR NOT

SKIP: BECKETT (NETFLIX)  In fairness I could not last for more than 15 minutes of tested endurance; insufferable travails of “Beckett” (John David Washington) and his unflinching, clueless, girlfriend “April” (Alicia Vikander); a sparkless relationship and plot deserving of cauterization at its inception. ANNETTE (AMAZON PRIME) Yikes! Adam Driver and Marion Cotillard, two respected, consummate actors had me cringing with …

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RESPECT

Aretha Franklin (1942-2018) regardless of her gender, race, or possibly despite it, earned the highest honors of any individual in her league: 18 Grammy Awards, including Lifetime Achievement, Hall of Fame, Pulitzer Prize, Presidential Medal of Freedom; she not only touched the celestial, she owned it; her life was informed by the Vietnam War, the assassinations of John and Robert …

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PROTAGONISTS WORTH INVESTIGATING

“HIT & RUN”  (ENGLISH/HEBREW) NETFLIX A scintillating collaboration between Israel and Netflix starring inimitable, aggressively masculine, swashbuckling Lior Raz (“Fauda”) as “Segev Azulai”, a benign tour guide in Tel Aviv, his lithesome wife, “Danielle”(Kaelen Ohm) a dancer, whose death, initially assumed accidental, proves anything but; bouncing from New York and Israel, the scenario quivers with layers of duplicity, no one, …

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AILEY (in theatres)

“Dance is the hidden language of the soul” and no one understood, cornered or capitalized on this more than Alvin Ailey (1931-1989); director Jamila Wignot employs her intuitive documentary acuity, splaying upon the screen, a poor boy whose feet took him to heights rarely conquered; Ailey, infused his choreography with profound spirituality (“Revelations”); jazz with its unique African-American heritage reverberates …

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STILLWATER (in theatres)

Meet “Bill Baker” (Matt Damon) a simple man, a recovering alcoholic, relying on a higher power to secure his sobriety; a construction worker hailing from “The Sooner State”, Oklahoma, the least likely individual to have a daughter, “Allison” (Abigail Breslin) serving prison time, for murder, in Marseille, France. “Stillwater” pulsates as a plagiarized version of the Amanda Knox (four years …

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JOE BELL (in theatres)

Bullies have plagued mankind since the Cain and Abel era; persecuting those whose idiosyncratic individuality is in opposition to the norm: loners, nerds, homosexuals, mavericks, nonconformists; the growth of the internet has fed the epidemic, especially among the young and disenfranchised: Columbine, Sandy Hook, Virigina Tech, Santa Fe High School, the travesty continues; director Reinaldo Marcus Green and actor/producer Mark …

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PIG (in theatres)

The pathetic pig, source of a major food supply with a heart reminiscent of a human’s, is perpetually maligned, used derogatorily, addressed as a “pig” is never a compliment, a reference to one’s weight, behavior, slovenliness; director Michael Sarnoski’s, fabulously interesting “Pig”, paints a portrait of this mammal as a loving, gifted truffle trapper (begs comparison to 2020’s “The Truffle …

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