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Monthly Archives: August 2024

WE’RE ALL GOING TO THE WORLD’S FAIR (streaming)

Recommended by my star-powered, producer nephew, Will Anderson, I lustily viewed with vast anticipation; directed by trans and non-binary filmmaker, Jane Schoenbrun I found it compelling, confounding but incomprehensible, I reached out to him for enlightenment; his perceptions, salient and introspective are worthy of quoting in entirety: It really moved me in a strange way. And I think you may …

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BETWEEN THE TEMPLES (in theatres)

You don’t have to be Jewish to appreciate this enchanting slice of life that owns no bias, parameters, visiting at whim all peoples regardless of sect, gender, creed; refreshing tale of disparate souls, connecting at the appropriate moment in their varied existence. “Between the Temples” is a poignant relief from the ubiquity of the “horror”, “Marvel” genres, monopolizing, overwhelming movie …

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SKINCARE (in theatres)

The bludgeoning skin care industry globally generates over 144 billion USD$ and climbing; Generation Z (between 12 & 27) leading the hordes of consumers. Director/writer Austin Peters gets targeted aspects of faux LA glamour on the “nose”: quest for beauty and perpetual youth; strappings of wealth (cars, flashy, fur-trimmed ensembles) pneumatic chests, plasticity pulsates on creaseless faces with eyelashes destined …

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IT ENDS WITH US (in theatres)

Expecting saccharine sentimentality, mawkish, cloying, syrupy manipulation; surprisingly, those maudlin expectations were dashed by Blake Lively’s (producer) stratospheric performance as “Lily Blossom Bloom” complemented by Justin Baldoni’s (director) equally high-volume depiction of neurosurgeon “Ryle Kincaid”. Both actors, majorly invested in the creation of the 2016 novel by Colleen Hoover: abusive, marital, familial relationships and their lasting effects on their progeny. …

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KNEECAP (IRISH: ENGLISH SUBTITLES) IN THEATRES

Inadvertently, I visited “Kneecap” without even a whiff of its content. I do not care, another whiff, for rap! If it’s generational, I missed it by decades and did not mourn its loss. So, sitting with an audience of prepubescent attendees, I found myself laughing, with requited glee, bouncing in my seat to its iconoclastic rhythm, lyrics and high-fiving its …

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