Breaking News

Yearly Archives: 2014

BEGIN AGAIN

Gamin, Keira Knightley, dashing, Mark Ruffalo with director John Carney (“Once”) in “Begin Again” bless audiences with a delectable, fluffy, scrumptiously sweet scenario;  guileless,  warm, mesmerizing meringue of a summer flick. Simply enchanting; delicious to watch, delightful to listen to (composer Gregg Alexander);  two depressed souls, destined to meet and make musical magic. “Dan” (Ruffalo) fired from his job as …

Read More »

LIFE ITSELF

Brilliant, profoundly, even squeamishly honest; Roger Ebert’s life (1942-2013) is splayed across the screen; redolent of a life pungently, passionately imbibed;  almost singlehandedly he elevated the art of film to the celestial; uncompromising, through vicissitudes, heartache, glory he “did it his way”. Steve James (“Hoop Dreams”) and Mr. Ebert gift audiences a documentary, that regardless of one’s attraction to movies, …

Read More »

TAMMY

Melissa McCarthy is an intelligent woman with impeccable comedic timing; together with her husband, Ben Falcone (he also directed and plays her boss “Keith”) she wrote and stars in “Tammy”, a movie that elicits little laughter and lots of disappointment; the first twenty minutes she harangues anyone and anything within hearing distance; she has created a cult to corpulence,  and …

Read More »

THIRD PERSON

A film within a film within a film; resulting in diaphanous characterization; twisted scenarios, locations bouncing from Paris, Rome, New York City, even the most prescient will be challenged to follow the route to perdition.  Guilt- ridden men, whining, mournful women, director Paul Haggis’s  (“Crash”) convoluted, enervating plot leads to dissatisfaction, frustration and in the end, absolutely bereft of concern …

Read More »

HUMSHAKALS: HINDI:ENGLISH SUBTITLES. BOLLYWOOD BOMB

This dreadful monument to poor taste ranks in the laurels of one of the worst films ever made, in any country; an embarrassment to its industry; how and why in Shiva’s name was this ever produced?  Director Sajid Khan proves certifiably unbalanced, not even worthy of the mental institution he places his protagonists in; men, masked as dogs, howling idiocy;   …

Read More »

THE JERSEY BOYS

The 2005 Broadway, award-winning, biographical musical about the rise and plummet of the “Four Seasons” , anchored by high-pitched crooner Frankie Valli, falls flat on the big screen; lacking the authenticity, originality and “all that jazz” of the play, it ploddingly, superficially portrays the accelerated ascent of New Jersey petty thieves, to icons of musical notoriety; plastic, shallow depictions, identical …

Read More »

THE ROVER

Australian director David Michod’s (“Animal Kingdom”) “The Rover” drills into the psyche of the damned; set in post-apocalyptic Australia. “Eric” (magnetically, fierce portrayal by Guy Pearce) whose sole mission is to retrieve his stolen car, partners with wounded “Ray” (pivotal, powerful, performance by Robert Pattinson), a stuttering, febrile, minimally- challenged psychopath, whose brother is one of the car thieves. This …

Read More »

HOW TO TRAIN YOUR DRAGON 2

Prevalent in the fifteenth and sixteenth centuries was the “morality play”;  allegories, where the protagonists personified moral attributes; the themes were infused with religious gravity, one was granted the freedom of choice, hence the moral dilemma, which highway led to the celestial, or the dungeon of the doomed. “How to Train Your Dragon 2” is an animated, sophisticated, contemporary spin …

Read More »

THE GRAND SEDUCTION

How fortunate for movie-goers that “desperate times, demand desperate measures”; destitute town of Tickle Cove,(Newfoundland) mourning an exsanguinated fishing industry; demoralized inhabitants living on welfare, needing a doctor in order to qualify for a major “petro chemical byproduct reprocessing plant”; what ensues is a warm, enchanting adult fairy tale; incredible casting lends prismatic charm to an unlikely scenario. Brendan Gleeson, …

Read More »

OBVIOUS CHILD

Praying for early onslaught Alzheimer’s or minimal short-term memory loss, drastic measures to annihilate the effects of this homage to beggarly taste. “Donna” (giggling, “childish” Jenny Slate) is a stand -up comic in a run- down bar in Brooklyn; the film commences with a graphic description of her every biological function; prurient prattle about her intimacies, from boyfriend to underwear. …

Read More »