Breaking News

Netflix and Beyond

CAPTAIN FANTASTIC

Viggo Mortensen has practiced incredible discretion when selecting his filmic personages, from “Lord of the Rings”, “History of Violence”, “The Road”, iconic “Eastern Promises”; his characters are strong, strange and silent, marinated in intelligence, often inscrutable, always fascinating. As “Ben” in “Captain Fantastic” he is at his enigmatic best,  the father of six, living off the grid in a forest …

Read More »

GHOSTBUSTERS

You know the expression “if it ain’t broke, don’t fix it”; as I was tormented watching this insipid female remake of the 1984 classic, questioning my discretion, I valiantly tried to unearth the entertainment value of director Paul Feig’s mission. Tremendous exertion led to the paltry, positive aspects of “Ghostbusters”: 1. Melissa McCarthy, with tremendous comedic acuity, saved the film …

Read More »

THE INFILTRATOR

Bryan Cranston gives a blistering performance as Robert Mazur, a U.S. customs agent, impersonating a money launderer in the 1980’s; Columbia’s drug cartel led by Pablo Escobar is the target of Mazur’s mission (based on Mazur’s book featuring the “sting”); Cranston’s titillating intensity captures the galvanizing strength demanded for the success of Mazur’s ruse; his partner Emin, played with insouciant …

Read More »

THE INNOCENTS (FRENCH: ENGLISH SUBTITLES)

December, 1945 Poland. The brutal, blanched landscape has no intention of thawing, continuing to camouflage an isolated convent where atrocities have been initiated; piety butchered by unadulterated, unaccountable Russian soldiers. Director Anne Fontaine’s formidable “The Innocents”, based on an actual event,  challenges viewers to tread where sanctity has been annihilated, dehumanized by man. The second world war is over and …

Read More »

SULTAN (HINDI: ENGLISH SUBTITLES)

The first time I saw Salman Khan (“Marigold”) I was overwhelmed by his stunning beauty, a luminous countenance worthy of launching a thousand films; it mattered little that the film was awful, looking at him justified the price of admission. Now, almost ten years later, gone is the beauty, replaced by burgeoning brawn and surprisingly honed acting acuity. He is …

Read More »

OUR KIND OF TRAITOR

Based on John le Carre’s (1931) 22nd book, directed by Susanna White, would have fared better as a television mini-series; even then it could not match the recent BBC production of “The Night Manager” staring Tom Hiddleston and Hugh Laurie. The tepid title lends little legitimacy to what the masses surmise as traitors: Mata Hari, Julius and Ethel Rosenberg, Aldrich …

Read More »

THE BFG (BIG FRIENDLY GIANT)

This enchanting fairy tale is poignantly real, heart warming, painful and beautiful; adult viewers will be moved, not just to uproarious laughter, but also frequent tears. Based on the book by Roald Dahl, director Steven Spielberg and writer Melissa Mathison excavate the vast corridors of their imaginative souls and gift besotted audiences a gentle giant and bespectacled orphan destined to inhabit …

Read More »

UDTA PUNJAB (HINDI: ENGLISH SUBTITLES)

India is cursed with its drug chaos, a ubiquitous issue plaguing nations worldwide. “Udta Punjab” is a serious, if at times sensational, depiction of the epidemic, its victims, perpetrators and the pervasiveness of this evil  “weapon of mass destruction”. Director Abhishek Chaubey has culled a superior cast to portray fictional characters in a realistic setting: Shahid Kapoor is “Tommy Singh”,  …

Read More »

FREE STATE OF JONES

Matthew McConaughey is a presence, a gargantuan force in the film world; amazingly, each characterization transcends his prior role. This trait is vividly, pivotally evident in “Free State of Jones” where as “Newton Knight” a deserter from the Confederate Army, in the war between the states (Southerners contend that there was nothing “civil” about it), he leads a disparate pack …

Read More »

GENIUS

“When a great genius appears in the world you can know him by this sign: that the dunces are all in a confederacy against him.” Jonathan Swift Thomas Wolfe (1900-1938) railed against his detractors until he was championed by Max Perkins (1884-1947), editor of Charles Schreiber’s Publishing. Max, a man whose prescience recognized and lionized writers Ernest Hemmingway, F. Scott …

Read More »