Recently, there have been films, based on actual people, cosmic events, that have been controversial, challenged because of their supposed inaccuracies or flawed “hair-raising” technicalities: “The Butler”, “Gravity” and now “Captain Phillips”. Unless billed as a documentary, I gift “poetic license” to the filmmakers. These films are stunning, immensely entertaining and worthy of their embellishments or lack thereof. Once again, …
Read More »Netflix and Beyond
RUNNER RUNNER
A “runner”, reminiscent of a broker’s employee, delivering a market order to the broker’s floor trader; once delivered, order executed, the runner runs, and confirms the completion, to the trader. Runners are sinking towards obsolesce, replaced by an electronic platform. Wish this film suffered the same fate before being splayed on the big screen; dumped unceremoniously on a naive, unsuspecting …
Read More »YOU WILL BE MY SON (FRENCH:ENGLISH SUBTITLES)
Never has cruelty been showcased in such a ravishing landscape; blackness of human nature set in luscious loveliness, a Bordeaux vineyard run by obsessive, perfectionist “Paul de Marseul” (brilliant interpretation by Niels Arestrup); a Beelzebub, with a Faustian tongue whose “grapes” reap more respect than any man. Director/writer Gilles Legrande paints a portrait of evil, so profound, overwhelmingly egregious, it …
Read More »BESHARAM (HINDI: ENGLISH SUBTITLES)
Rambir Kapoor, descendant of the Kapoor dynasty, plays a nice nitwit, “Babli” with a Robin Hood aesthetic, he steals from the insured wealthy to bequeath to dire dallits or those bereft of financial resources; another Bollywood fairy tale that the India populace seems to crave; imbued with terrific, scintillating dance numbers; blindingly colorful costumes, and a plot reminiscent of a …
Read More »GRAVITY (A MUST SEE IN 3-D)
Stratospherically thrilling; ethereal engineering, brilliant writing, astounding acting, gift audiences a visual, visceral extravaganza worthy of the highest accolades; ninety minutes of terrifying isolation, profound silence, crippling suspense, celestial, stunning beauty. Alfonso and Jonas Cuaron (father/son) with awe- inspiring genius wrote and directed “Gravity”; aided by the Olympian skills of cinematographer, Emanuel Lubezki, “Gravity” outshines any space movie ever to …
Read More »ENOUGH SAID
Watching warm, huggable, corpulent James Gandolfini, no longer in our midst, it was difficult not to weep as he so completely imbues “Albert” with an innate sense of charm, humor; acceptance of his flaws, accomplished long before we meet him, he is guileless and capable of profound love and devotion; a man among men, one just has to look. Writer/director …
Read More »Rush Movie Review
The populace thrives on competition; contests abound in all areas of life; commencing with spelling bees, science fairs, essays, dancing, singing, debating; but it is in the world of sports where the lust for victory exceeds all other fields; possibly because of the universal appeal, the devotional aspects of the fans and feeding frenzy of the press; nothing quenches satisfaction …
Read More »DON JON
2011, debuted director Steve McQueen’s compelling “Shame” starring Michael Fassbender; still in theatres: “Thanks For Sharing” with inimitable Mark Ruffalo; excellent films focusing on sex addiction, kept alive and fed by internet pornography. “Don Jon” is a pathetic imitation on the same theme: Joseph Gordon-Levitt (a talented actor) stars and directs this sad, and insipid scenario of a pumped -up …
Read More »SALINGER
By the time I read J.D. Salinger’s “Catcher in the Rye”, published in 1951; much of the mystique had waned; I met my share of “Holden Caulfield” wannnabes; testosterone oozing from every pore, using “phony” intelligence to avoid the regulations of structured academia; boasting of tortured souls, being misunderstood by the mundane masses; destined for mediocrity and a premature obituary. …
Read More »PHATA POSTER NIKLA HERO (HINDI: ENGLISH SUBTITLES)
Quintessential Bollywood, fanciful fluff, rises above the benign; is pleasantly entertaining because the leading actors are so adorable: Shahid Kapoor and Ileana D’Cruz as “Vishwas” and “Kajal” sing, and with liquid elasticity, dance to some of the most innovative choreography (Caesar Gonsalves, Bosco Martis) spewing from the contemporary fountain of Bollywood ingenuity. The soundtrack, by innovative Pritam Chakraborty, and lyrics …
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