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BANG BANG! HINDI: ENGLISH SUBTITLES

Bollywood’s anemic and hardly recognizable imitation of Hollywood’s  2010 “Knight and Day” starring Tom Cruise and Cameron Diaz;  India’s eleven-fingered, handsome,  heartthrob Hrithik Roshan (with an abdomen so defined it defies pulsation; questioning the veracity of such tautened ripples, resembling robotic, digital action toys), is “Jai” the daredevil protagonist, capable of phenomenal wizardry; stealing the Koh-i-noor Diamond from the Tower …

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HAIDER (HAMLET) HINDI: ENGLISH SUBTITLES

William Shakespeare (1564-1616) did his most prolific writing between the years 1589-1613; he was the quintessential Bard, has never come close to being duplicated; his works, themes, resonate today as they did hundreds of years ago; no one captures the foils, fantasies, baseness or heroics of the human condition as did this timeless genius. Director Vishal Bhardwaj’s “Haider” is a …

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GONE GIRL

Religiously faithful to Gillian Flynn’s stunningly successful novel; an unmatched character study of an initially enviable relationship gone haywire; succinctly directed and cast, even those familiar with the book will be drawn into the labyrinth of irreducible intrigue. David Fincher scores again (“The Social Network”, “The Girl with the Dragon Tattoo”) with a scenario, pervasively known, blessing it with layers …

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HECTOR AND THE SEARCH FOR HAPPINESS

Accidentally, I ventured into this enchanting fantasy about a disillusioned psychiatrist, confronting the monotony of his everyday, vacuous  existence; compulsively organized, his home and patients, robotically relegated into slots of predictability. Simon Pegg is marvelous as the befuddled “shrink”; he exits his formal, prestigious English domain, travels the globe on an amorphous expedition, looking for answers to the elusive, inconclusive …

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TRACKS

This outstanding, beautifully acted and directed film based on the true trek Robyn Davidson (b.1950) accomplished in 1977; 1,700 miles, nine months, through the treacherous, torturous, glorious landscape of Australia’s western desert to the Indian Ocean; Ms. Davidson wrote about her excursion in a 1980 memoir; Mia Wasikowska is remarkable as the recalcitrant, intrepid, fearless young woman whose intransigence led …

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MY OLD LADY

Based on the play by Israel Horovitz (also his directorial debut) is uneven in execution but stunningly acted by Kevin Kline, Maggie Smith and Kristin Scott Thomas. Penniless, “Mathias (Jim) Gold” (Kline) arrives in Paris to collect his inheritance from his deceased father; an apartment inhabited by ninety-two-year-old “Madame Girard” (Smith); discovering the incomprehensible French law of “viager” which allows …

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THIS IS WHERE I LEAVE YOU

My fervent regret is that I did not LEAVE after the first twenty minutes, when I realized that the entire “Altman” family was catastrophically boring, self-absorbed, inconsequential; their common denominator, an obsessive, insatiable,  all-consuming focus on their libido. With the exception of a charming child (whose parentage was vague) I woefully sat through the entire dull scenario, which disintegrated scene …

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THE DROP

Earlier this year the film “Locke” exploded on the screen; Tom Hardy, the tragic protagonist, is monumentally overwhelming as the unfortunate, but accountable “Ivan Locke’; an isolated, solitary tour de force, rarely seen by movie- goers. Hardy’s scope as an actor has yet to be realized; but once again he excavates his treasure-trove of talent and blesses audiences with “Bob”, …

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THE SKELETON TWINS

Earlier this week I viewed an abysmal film about a dysfunctional family in distress (“This is Where I Leave You”: to be reviewed 9/18/14); so it was with minor trepidation that I willingly subjected myself to another family in the throes of a crisis; the difference is remarkable. Kristin Wiig and Bill Hader give performances, resonating with greatness, especially Hader …

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MARY KOM HINDI: ENGLISH SUBTITLES

  The sport of boxing has never appealed to me: cauliflower ears, brain damage, even death, resulting from the brutality of the game; but I rarely miss a boxing flick; they resonate with profound pathos, the quintessential joy when the underdog champions; possibly because of the agony, the ecstasy of victory is even sweeter. Some of the greats: “The Champ”, …

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