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WINCHESTER

Why? Why would two credible actors decide to star in this maladroit attempt at the horror genre? Was it the charm of director/brothers Michael and Peter Spierig? Academy Award winner Dame Helen Mirren might have been enticed by the enigmatic Sarah Winchester (1840-1922), daughter-in-law of Oliver Winchester (1810-1880) founder of the Winchester Repeating Arms Company; her daughter Annie died after …

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THE INSULT (LEBANON/FRANCE) ACADEMY AWARD NOMINEE FOR BEST FOREIGN FILM

Director Ziad Doueiri challenges viewers to choose sides between two, decent, hardworking individuals: “Tony Hanna” (Adel Karam) a Lebanese Christian, garage owner and Yassar Salameh (Kamel El Basha) a displaced Palestinian, foreman of a construction crew; a smashed drain pipe is the vehicle that escalates into a lesson which stems from the 1975-1990 Lebanese Civil War. Here, tempestuously, ideologies collide, …

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PADMAVATI (HINDI: ENGLISH SUBTITLES)

For twelve years Peneflix, along with Hollywood and Foreign, has focused on the Bollywood genre; mastering the salacious gaze, nubile, partially clothed, perpetually running, tearful heroes and heroines now rank on the entertainment scale of Western audiences. Ancient, epic poems, myths, tales: “The Ramayan”, The Mahabharata”/ “The Bhagavad Gita”, reference the way one should conduct one’s life, mimicked by The …

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THE POST

Possibly, not the worst, but far from the best of times; the Vietnam War (1955-75) transformed the Western world, heralded the death of idealism, giving birth to post-modernism, erasure of naivety; “The Age of Aquarius” (The 5th Dimension) is in full swing, gifting sexual license, mind-enhancing drugs, anything to escape the reality of government culpability; lying Presidents who allowed American …

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PHANTOM THREAD

From the onset there is a romantic perversity luridly lurking at the core of each scene; at times clandestine, oftentimes overt, always lusciously tantalizing a mesmerized, unsuspecting viewer.   Writer/director (P)aul (T)homas Anderson’s “Pygmalion” scenario goes deliriously, deliciously awry. “Reynolds Woodcock” (astounding Daniel Day-Lewis) a nascent fashion designer for the rich and titled in 1950’s London; effete and imperially slim, …

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NETFLIX PHENOMENA

While on hiatus Peneflix has been immersed in the miraculous, curative effects of binging on Netflix; yes, it is an addiction and I’ve spent hours committed to self-analysis, why one allows these fictional forces to wrap their slippery tentacles around one’s psyche, kidnapping viewership for the duration of their tempestuous, taunting existence? Like Ulysses “Sirens” once exposed, doomed; they have …

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PENEFLIX BEST AND NEAR BEST FILMS OF 2017

As I peruse other critics best and worst films I feel fortunate that, because of my pay grade, have rarely seen many of the “worst”; no matter the product, each year there are enough quality films, that in retrospect my passion  is satiated. Granted I have not seen, “The Post”, “Phantom Thread” “Film Stars Don’t Die in Liverpool”.  So here …

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TIGER ZINDA HAI (HINDI: ENGLISH SUBTITLES)

Here is a mixed marriage, not seen since the Jodha/Akbar era; fifty-one-year-old, pneumatic, perennial bachelor Salman Khan (“Tiger”) paired once again with Katrina Kaif (“Zoya”) as East Indian and Pakistani agents sent to battle militants in Tikrit, Iraq; based on an actual event in 2014, terrorists took over a hospital and held 46 nurses (Indian and Pakistani) captive; the rescue …

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ALL THE MONEY IN THE WORLD

Ridley Scott’s biopic, revolving around the 1973 kidnapping of J. Paul Getty’s (1892-1976) grandson, sixteen-year-old, high school dropout, J. Paul III, seethes with the despicability of an amoral man, whose zealous quest for wealth consumed any human decency, that should have led to philanthropy, but instead to egregious greed and Olympian, myopic, insensitivity, heartlessness. In the 70’s Getty’s oil empire …

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MOLLY’S GAME

Aaron Sorkin’s feature directorial debut shines a beacon on Molly Dubin Bloom (1978-), the “Princess of Poker” and her revealing book “Molly’s Game” (2014); the film is smart, really smart, but you don’t have to be an intellectual to comprehend its nuances, just recognize that they’re there. I, for example, with the exception of “face” or “tell”, know bubkis about …

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