Netflix and Beyond

A stellar, refreshing, compelling series made for contemporary Turkish television; commanding performances in tandem with a notable, intelligent script and scenario; Western viewers are challenged to grasp the dichotomies between the secular and ever encroaching religious conservatism in a Muslim world; hijabs versus free flowing manes; women therapists justifying their scholarship in a closeted milieu, where naked honesty, self-doubt, insecurities …

The “Crown” in its fourth season, vivisects the peccadillos, infidelities, pettiness of those ordained, despite their inadequacies, to reign in perpetuity, keeping the diadem “all in the family”; the impeccable cast: Olivia Coleman (Queen Elizabeth II), Tobias Menzies (Prince Philip), Helena Bonham Carter (Princess Margaret); Josh O’Connor, the consummate clone of the romantically doomed Prince Charles, are joined this season …

Here is a series where the refined performances transcend the subject matter: Chris Evans is spectacular as assistant district attorney “Andy Barber” fighting to clear his fourteen-year-old son “Jacob” (prodigious Jaeden Martell) of murdering his classmate; Michelle Dockery as Jacob’s mother “Laurie” is categorically impressive as she analyzes her son’s behavior from infancy to the present; Cherry Jones, as Jacob’s …

Karmically, randomly one stumbles, without intent or purpose, upon a series so deliciously, devastatingly dynamic, one questions how/why it escaped one’s filmic radar screen; writer/director Dana Fox’s ardent, innovative, interpretation of real life, nine-year-old journalist, crime solver, Hilde Lysiac is worthy binging for all ages.  “Home Before Dark” soars with the magical, mesmerizing, spellbinding Brooklynn Prince as “Hilde Lisko” solving …

THE QUEEN’S GAMBIT  (NETFLIX): is a soaring series, devoted to the intricacies of chess, and the fragility of human nature; orphaned at the age of nine, “Beth Harmon” (Isla Johnston/Anya Taylor-Joy) discovers in the bowels of the orphanage a maintenance man (“Mr. Shaibel”, depicted brilliantly by Bill Camp) whose dedication to the game of chess, ignites a passion that steers …

The treasured unknown, a plague of confusion; riveting intelligence reverberates at the core of this stunning interpretation of Henry James’s “The Turn of the Screw”; demanding a malleable, pliable intellect, “The Haunting of Bly Manor” guarantees troubling, taunted dreams, questioning the unseeable, but tangible nonetheless. For those who have experienced Déjà vu, possess a “sixth sense”, second sight, or share the attributes of Macbeth’s witches, an inexplicable clairvoyance, your receptiveness will be …

Always a sleuth advocate: “Columbo”, “Kojak”, “Cagney & Lacey”, “Remington Steele” satiated by a weekly dose of mystery, murder and mayhem, my thirst for the macabre has grown exponentially through the years. Here are some suggestions guaranteed to quench one’s appetite for an enigmatic, inscrutable conundrum: “AMERICAN MURDER: THE FAMILY NEXT DOOR” (Netflix) director Jenny Popplewell’s true crime documentary focuses …

Tuesday evening the world witnessed, Live, the nadir of American politics: slaughter of civility, denigration of a morality we should expect and categorically deserve from our leaders; instead, like the murder of George Floyd, the supposed head of the free world and his challenger failed the populace, shocking with stunning vituperative, scurrilous verbiage, murdering decency: an amoral bully, pledging not …

Two mysteries created to titillate the most seasoned of “series” or movie sleuths; missing murdered children, myriad of homicidal possibilities; both infused with an appropriate modicum of barbarity, enough to stave off ennui, and most importantly, capitalize on the element of surprise. “I See You” commences benignly with the search for a missing teen: Jon Tenney (“The Closer”, “Major Crimes”) …

Despite the political hubris, here are two films, whose attributes render the purist forms of entertainment: magically, magnificently filmed, landscapes proving a higher power, extraordinary metaphors universally resonating in this pandemic period; in spite of the controversy bubbling around the mythical “Mulan” or the veracity of the non-fictional “The Eight Hundred” directors Niki Caro’s (“Mulan”) and Guan Hu’s (“The Eight …