Netflix and Beyond

Anyone who has ever experienced the hair-raising, cacophonous symphony conducted on the streets, alleys, highways of a tireless India metropolis, will empathize completely with the skill of the conductors, drivers of any vehicle, be it rickshaw, car, bus or truck; “Balram” (Adarsh Gourav, genuinely puissant) from a lower caste, splays his rise as an entrepreneur in a series of flashbacks. …

Carey Mulligan, along with actors, (to name a few) Natalie Portman, Jodi Foster, Emma Watson, Lupita Nyong’o has a rarefied intelligence quotient; being smart is the characterizing trait of “Cassandra” a coffee counter-girl, pursuing, diligently, men who prey on inebriated women; her virtuosity is disquieting and Mulligan is masterful in the role. Except for the finale “Promising Young Woman” directed …

Inimitable Tom Hanks adds to his repertoire of captivating characters with his elucidation of “Captain Jefferson Kyle Kidd”, a Civil War veteran, traveling the untutored west in 1870, preaching the “news of the world”, in layman terms, a town crier; Hanks imbues Kidd with a refined elegance, dignity, a compelling grace, but when tested, his ire cannot be bested; discovering …

“SPIRAL” (2005-2021) (Amazon Prime) Thumping at the pinnacle of my “Must Watch” list is this gritty, compulsively addictive, detective series; a Paris, rarely seen by tourists: dirty dens of iniquity, gory, egregiously stunning scenarios, no topic is sacrosanct, unbiased demographically, whether victim or perpetrator your proclivities are splayed, vivisected, informed by reality; justice meted in tandem with the crime. Brilliantly …

Two ambitious films excavating the lives of women, justifiably, “on the verge of a nervous breakdown”. “HERSELF” directed by Phyllida Lloyd, starring writer and actor Clare Dunn, focuses on abused wife/mother “Sandra”; she is destitute, living on state benefits, residing in a hotel with her two young daughters (enchanting depictions by Molly McCann and Ruby Rose O’Hara), eking out a …

Two fascinating series based on serial killers; “13 COMMANDMENTS” focuses on a fictional avenger, vigilante “Moses” who justifies his acts by eliminating the Sodom Gomorrah milieu where the commandments are egregiously ignored, violated by those who transgress at the mortal sin measure. The avenger “Moses” tries the patience of police detectives “Peter Devriendt” (Dirk Van Dijic) and “Vicky Degraeve” (Marie …

“THE TRIAL OF THE CHICAGO 7”  (NETFLIX) Director Aaron Sorkin once again uses his magical might in creating a pristine reminiscence of a bleak period in American history; 1968, Democratic National Convention disrupted by factions against the Vietnam War: Abbie Hoffman (Sacha Baron Cohen, physical facsimile); Tom Hayden (Eddie Redmayne); Mark Rylance and Frank Langella are expert renditions of William Kunstler and …

“MANGROVE”            AMAZON PRIMEDirector/writer/ artist Steve McQueen perpetually stuns with his historical films, based on egregious tales of injustice; Mangrove, a restaurant in west London and the trial of nine black activists in 1971 is blatantly honest, radiantly performed with a prescient message more vibrant today than yesteryear. FOUR & ½ STARS!!!! “NOCTURNAL ANIMALS” (2016)  NETFLIX Jake Gyllenhaal’s performance is enormous; paired with Amy Adams and stunning contemporary art, acutely satisfying. …

Traditionally, Christmas Day is movie mania, in my household; redundancy accomplished, at home, in pajamas with leftovers and my adult pacifier, the remote. “Wonder Woman 1984” was a wonderous flop, “unsalvageable” by Gal Gadot, Chris Pine; Kristin Wiig as the scatterbrained sycophant, “Barbara/Cheetah” phenomenally miscast (perpetually locked in “Bridesmaids” mode) served as comic relief,  guffawing, fawning until her “wish” is …

I have an innate prejudice when it comes to dystopian, apocalyptic films; acknowledging their technological wizardry, the aftermath leaves me in a queasy, dissatisfied, jetlagged fug: “The Road”, “Total Recall”, “Mad Max”, “Oblivion”, “Children of Men” and in particular “The Lobster”, were so systemically oppressive, depressive; no matter the ills of the twenty-first century, it is a “far better world” than these futurist prognoses; …