Hollywood

An exhilarating week infused with exceptionally fine films, thanks to the prescience of our Founder Michael Kutza and Programmer Mimi Plauche. Here are a few more to add to your viewing pleasure:   “THE STUDENT”; RUSSIA. Director Kirill Serbrennikov stuns with his protagonist “Venya” whose religious fundamentalism has gone berserk; his rants, focusing on the gospels, become more frantic, belligerent, …

This is an outrageously gluttonous cinematic time, and I imbibe to the fullest. Nine films into the festival, here is a sample of “must sees”: “La La Land”; USA. Gifted Director Damien Chazelle splays across the wide screen a vivid, reminiscent musical; shades of the 40’s with stunning performances by Ryan Gosling and especially Emma Stone. Light-hearted, beautifully poignant and …

Director Andrea Arnold’s (“Fish Tank”) “American Honey” is rough, gritty, ugly, disturbing and at times profoundly poetic, and I did not care for it. Puzzling when greatness dazzles and your natural instinct is to turn away. “Star” (sharp and poignant depiction by Sasha Lane) is eighteen, caring for two children,(there is a vagueness as to their bond, familial or otherwise) …

This is a movie, and should be judged solely on its merits, not the controversy revolving around Nate Parker’s off screen vicissitudes, nor D. W. Griffith’s (1875-1948) 1915’s “Birth of a Nation”, or even William Styron’s 1967 Pulitzer-Prize winning “The Confessions of Nat Turner”.  “The Birth of a Nation” is a movie, a movie worth seeing, contemplating and in conclusion …

The multitudes who devoured the national bestseller by Paula Hawkins will find the movie, directed by Larry Brand, fervently faithful to the scenario. Divorced, perpetually sloshed, disillusioned “Rachel Watson” (Emily Blunt scores a knockout in the role) feeds her desperately lonely, hollow existence by living vicariously, imagining the lives of others as sublime, loving paradigms of bliss. Her daily train …

Director Peter Berg gifts viewers a tense, titillating, tightly-wrought film based on the 2010 BP oil drilling disaster, resulting in the cataclysmic disgorgement of 126 million gallons of oil into the Gulf of Mexico and the loss of eleven lives. Mark Wahlberg and Kurt Russell with minimal dialogue give pungently powerful performances as an electronic technician, Mike Williams (Wahlberg) and …

“Bridget Jones” is a brand with Renee Zellweger as its face. For fifteen years we’ve listened and watched as she unsuccessfully navigates her loves, life and decision-making process. We’ve all known the “Bridget’s” of the world: they arrive at the airport without their tickets; show up a day late for lunch, or forget altogether; never remember a birthday, but we …

Director Mira Nair is an intrepid, fearless force in the film world; she vanquishes taboos, champions the unrecognized, embraces and educates the masses. “Monsoon Wedding” (2002) the most acclaimed of her films but secondary to 1998’s “Salaam Bombay” a heart- wrenching tale of parentless children living on the streets of India; this brilliant film led to the creation of the …

Wild, wacky and wonderfully flawed, director Jocelyn Moorhouse’s adaptation of Rosalie Han’s novel is vastly entertaining, dramatically performed by actors Kate Winslet, Judy Davis, Hugo Weaving and Liam Hemsworth; reminiscent of Federico Fellini flicks, Irving Penn photographs, infused with meaningless and meaningful metaphors “The Dressmaker” stunningly highlights the prescient acting skills of Kate Winslet and especially Judy Davis (a neglected, …

More often than not, first run movies On Demand are at best anemic or at worst, in need of life support. But “Dancer” is a glorious exception.  A spell-binding documentary about the Royal Ballet’s “Bad Boy”, Ukrainian Sergei Polunin; a magnificent prodigy whose promise was apparent at birth (November 20th, 1989); his muscular liquidity so stellar, amazingly atypical, was recorded …