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THE LAST FULL MEASURE

Viet Nam, and a war (1955-1975) that artistically fractured the modern era, America, no longer the universal rescuer, harbinger of safety, annihilator of the nefarious, champion of the persecuted, oppressed, destroyer of autocratic, despotic regimes; art, lost its power to change mankind by its beauty, grace, the Nabis were dead, slaughtered by misplaced jingoism.  “The Last Full Measure”, directed and …

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THE GENTLEMEN

“Gentleness” is absent in director Guy Ritchie’s slick, schtick caper with veteran actors having the time of their lives: Matthew McConaughey, “Mickey Pearson” an American drug kingpin in London, a role he can perform on auto pilot, wants to sell his underground greenhouse to the highest bidder, erecting a conflict between “Dry Eye” (Henry Golding) and “Matthew” (Jeremy Strong); Michelle …

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THE SONG OF NAMES

Based on the novel by music critic Norman Lebrecht, directed by Francois Girard “The Song of Names” lacks the heft of substantiation needed for distinction, prominence in the filmic realm; three sets of actors imbue protagonists “Dovidl” (Polish violin prodigy) and “Martin” (son of an impresario), with somber, soulful dignity; an unlikely bonding precipitated by WWII; Luke Doyle, (Dovidl, 9-13) …

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THE MIDNIGHT SKY (NETFLIX)

I have an innate prejudice when it comes to dystopian, apocalyptic films; acknowledging their technological wizardry, the aftermath leaves me in a queasy, dissatisfied, jetlagged fug: “The Road”, “Total Recall”, “Mad Max”, “Oblivion”, “Children of Men” and in particular “The Lobster”, were so systemically oppressive, depressive; no matter the ills of the twenty-first century, it is a “far better world” than these futurist prognoses; …

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DOLIITTLE (DUMB & DEFECTIVE)

“Dr. Dolittle” and his shenanigans have never appealed to me; this is my first exposure to the franchise of a character capable of communicating with animals, a clever premise that goes horribly awry; directed by Stephen Gagan, starring Robert Downey Jr. (why I invested the time); the film is sluggish, poorly edited, and sinfully boring; Downey’s undefined accent varies throughout …

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PENEFLIX PREDICTIONS: 92ND ACADEMY AWARDS

Peneflix is taking a hiatus from a competitive contest this year; not reneging on listing my “best” picks; ignoring the overlooked, concentrating on the testosterone-driven, “hueless” candidates; no “will/should”, just my feverish, instinctive selections:   BEST SUPPORTING ACTOR: Brad Pitt, “ONCE UPON A TIME IN HOLLYWOOD”  *PENEFLIX PICK* Tom Hanks, A BEAUTIFUL DAY IN THE NEIGHBORHOOD Anthony Hopkins, THE TWO POPES Al …

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JUST MERCY

Nelson Mandela states that “the brave man is not he who does not feel afraid, but he who conquers that fear”; Bryan Stevenson (impeccably depicted by Michael B. Jordan) a Harvard-educated lawyer is the paradigm of courageous resolve, overturning insurmountable odds, supplying justice, a voice, for death row inmates: disenfranchised, marginalized, poorly defended, fraudulently incriminated and cast off by a …

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77TH GOLDEN GLOBES, MINIMIZED

Listening to Ricky Gervais, who for the most part behaved himself, and the myriad of acceptances from winners and honorees, one comment resonated long after the glamorous conclusion; Patricia Arquette (winner of Supporting Actress in a miniseries) stated that this night will not be remembered; the profundity of these few words struck a realistic, valid cord: Australia, burning; women empowerment, …

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TELEVISION TIDBITS WORTH WATCHING

The narrowing of boundaries between theatre and home viewing is a positive controversy; nothing beats the darkened, enclosed enchantment of the theatre, but television affords exposure and participation by those whose time, lives might be stymied by uncontrolled situations; choice breeds inclusiveness; entertainment touching vast numbers in universal spheres. Here are, not just films, but a streaming series, available to …

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STAR WARS: THE RISE OF SKYWALKER

Since 1977, “filmites” have been invested in a “galaxy, far, far away” and have experienced a franchise that has grown exponentially through the decades; director J.J. Abrams complication of past scenarios is “out of this world” to view, tweaked historical references infused with present digitalization enhancement, lend freshness to an inflated, fantastical tale; protagonists and antagonists have died, their progeny …

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