“This is the end-for me, the beginning of life”. Dietrich Bonhoeffer’s (1906-1945) last words on the day he was hung by the Nazis, April 9th, at 39 years of age, days before the end of the war. It was a tragic conclusion to a life lived without regret; a life where a darkened shadow of doubt never interfered with the …
Read More »GLADIATOR II (in theatres)
Director Ridley Scott has had twenty-four years to ruminate on the success of 2000’s “Gladiator”, winner of five Academy Awards including Best Picture, Best Director (Scott), Best Actor (Russell Crowe), Best Supporting Actor (Joaquin Phoenix) Best Original Screenplay (David Franzoni, John Logan, William Nicholson); “Gladiator II” bests its forerunner in cinematography, battle sequences (bloodied, severed limbs and heads) aerial views …
Read More »WICKED (in theatres)
Never has wickedness been served so mellifluously, deliciously, supercalifragilisticexpialidociously sensational as in director Jon M. Chu’s “Wicked”; a film so splendidly crafted, acted, choregraphed it was impossible to breathe with the breath, depth of its wonder. Every glittering glorious moment resonates with truth, integrity and lessons for living, understanding and embracing the goodness of the unknown, outlier, no matter their …
Read More »ANDREA BOCELLI 30: THE CELEBRATION (in theatres)
In the stratospheric realm of Taylor Swift and Beyonce concerts, tenor Andrea Bocelli elevates Opera to a celestial level; sightless, his voice has enveloped millions in a genre encompassing all human emotions: incomprehensible joy, desecrating grief, positivity of remembrance, moments in life, forever scarred, forever sacred. Levitating, watching wonderous staging, at roofless Theatro Del Silenzio in Tuscany, music and nature …
Read More »A REAL PAIN (in theatres)
Will not debate the intelligence of actor/writer /director Jesse Eisenberg nor the acting acuity of Kieran Culkin; both men star as mismatched cousins “David (Eisenberg) and “Benji (Culkin) Kaplan”, journeying to Poland, a pilgrimage to the home of their recently deceased grandmother. They are members of a disparate tour group whose varied reasons for attending are unearthed as the days …
Read More »HERETIC (in theatres)
Peneflix through the years has periodically concentrated on the horror genre; to be taken seriously there are certain rules that must be adhered to, to qualify as terrifying, number one is its feasibility; the probability that it could happen, surreal sacrificed for reality as in “The Texas Chainsaw Massacre” or Australian “Wolf Creek”; but leaving “Heretic” this afternoon, I recognized …
Read More »JUROR #2 (in theatres)
Clint Eastwood, truly a legendary human being, at ninety-four, has produced and directed a film worthy of approbation, applause, and a first class score; it is a mind-twister, a panegyric thriller so engrossing it tips the scales in titillation, confounding confusion and the ultimate challenge of what would you do in a similar situation?; supremely intelligent, the scenario weaves its …
Read More »ANORA (in theatres)
Director Sean Baker (“The Florida Project”) won this year’s Palme d’or at the Cannes Film Festival; it is nothing short of riveting and actor Mikey Madison (Russian-American) as the quintessential sex worker is astounding. Commencing with synchronized, grinding, pulverizing sexuality she takes prisoner her clients and requites their every fantasy, control, her ultimate asset. That control is tested when she …
Read More »CONCLAVE (in theatres)
Based on the 2016 novel by prodigious author Robert Harris, this gutsy, fictionalized peek at the secretive election of a new Pope is a rarefied and plausible take on the politics of the Catholic Church and those lobbying for its highest office. Director Edward Berger’s film resonates with political tricks and shenanigans we’ve been redolently bombarded with the past few …
Read More »FINAL FILMS & INSIGHTS FROM THE 60TH CHICAGO INTERNATIONAL FILM FESTIVAL
“THE SEED OF THE SACRED FIG” (IRAN, FRANCE, GERMANY) DIRECTOR, MOHAMMAD RASOULOF “Never trust the obvious” resonates continuously from the supposed “guilty” to the obvious “innocent”; soaked in the restricted city, Tehran, hounded by paranoid rules, a family flounders in this positively frightening political drama, that dares to challenge viewers sensitivities until the spell-binding conclusion and the discovery of the …
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