Foreign

THE GREAT SILENCE             (DENMARK)  Director Katrine Brocks, gifts attendees of the Festival one of the most intrinsically intimate portraits of pain, both physical and psychological, on the screen; filmed within the confines of a convent, interspersed with flashbacks; “Sister Alma”, about to take her final vows, must confront the hubris seething between she and …

The contemporary themes striding stunningly through the Festival have captivated me throughout; some beg comparisons: MONICA (ITALY) & PALOMA (BRAZIL & PORTUGAL) Years ago, after reading Jeffrey Eugenides’s overpowering, deep-rooted “Middlesex”, gaining an understanding and insight into those whose bodies were unmatched with their respective genders. Education, respect and sensitivity are required in compassionate acceptance of what does not fall …

Midway through this stunning, scintillating, elucidating filmic journey, saturated with individuals, the “other” struggling with the “norm”, fighting for an identity within their personal parameters, despite cultural intransigence. Commencing with director Steve James’ documentary:  A COMPASSIONATE SPY Theodore Hall (1925-1999), prodigious, who at eighteen and a senior at Harvard was recruited by the government to help develop the atomic bomb …

THE PATIENT (Hulu) Abashedly, a friend and I walked out of 2005’s “40-Year-Old Virgin” with no regrets, never revisited it; also ignored “The Office”; it wasn’t until “Foxcatcher” (2014) followed by “The Big Short” (2015) and “Beautiful Boy” (2018) that I awakened to the stimulating fact that Steve Carell was so much more than a funny man; incubating beneath a …

“BULLET TRAIN” (in theatres) It has been a rather thin, squishy summer of film; a myriad of mediocrity unworthy of brain waves, exceptions: “Top Gun”, “Official Competition”, “Hallelujah”, “Vengeance” and the recently reviewed “The Good Boss”. To shun ennui, I visited “Bullet Train” (Brad Pitt the primary draw); superciliousness on steroids but for some inexplainable rationale I found myself enjoying, …

Javiar Bardem scorches as “The Good Boss”, (“Julio Blanco”) a multifaceted, charismatic, childless owner of Blanco Scales; which tops the “scales” in satire, subtlety, metaphorical subterfuge; director/writer Leon de Aranoa’s intricately, prodigiously carved slice of comedic mockery, secures its place as one of the best films of 2022. Bardem’s compelling, masterly depiction of a man who has convinced his employees …

“INTIMACY”              (SPANISH: DUBBED ENGLISH)         NETFLIX A timely tale resonating with today’s invasive and chilling technology; a rising politician is surreptitiously filmed as she and her lover are carnally entwined on a deserted beach. Predictably, it goes viral, and the series evolves as the protagonists gallantly fight to resolve and cope …

“PEAKY BLINDERS” 6TH SEASON   NETFLIX In my estimation this season tops the others in writing, intense characterization and the effects of moral turpitude; Cillian Murphy, redolently ripe as “Tommy Shelby” sears as a man plagued by his misdeeds, its consequences, and religious retribution; farfetched, but reeks of legitimacy and the power of the mind to transcend reality. FOUR STARS!!!! …

Double your pleasure, comfortably, with two stunners now watchable on Netflix.  “Operation Mincemeat” is a captivating, engrossing enactment of a British 1943 mission of deception, a key to eventually besting the Germans in WWII; director John Madden (“Best Exotic Marigold Hotel”, “Shakespeare in Love”, “Miss Sloane”) with actors Colin Firth, Kelly Macdonald, Matthew Macfadyen portray an intensely intelligent, fiercely detailed …

Having never visited the popular series of the inimitable Crawley family, I judge the films as entities totally without preconceived intimacy of the characters; possibly unfair, but films take precedence above and beyond the world of television (which I also admire). I found 2019’s “Downton Abbey” rather abysmal, apart from Maggie Smith as matriarch “Violet Crawley”; since her riveting Academy …