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AMY

Brian Jones, Janis Joplin, Jimi Hendrix,  Jim Morrison, Jean-Michel Basquiat…..Amy Winehouse (1983-2011), all died at the age of 27; supernovas extinguished by their own manufactured flames. Asif Kapadia’s stunning, brutally honest documentary about the doomed talent resonates to the core with the unadulterated pain of an unprotected, over-exposed ego; Amy was a one-dimensional individual, supremely gifted with a voice to …

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TESTAMENT OF YOUTH

There’s a plethora of books written about World War 1, stunning, devastating descriptions of war’s inimitable power to slay youth’s illusions: “All Quite on the Western Front” Erich Maria Remarque, “Guns of August”, Barbara Tuchman; my personal favorite, Mark Helprin’s “A Soldier of the Great War”; “Testament of Youth” is a profound portrait of war’s iconic ability to alter completely …

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BOMBAY VELVET (HINDI: ENGLISH SUBTITLES)

What a difference seven days creates; last week’s pathetic “Piku” is beautifully overshadowed by director Anurag Kashyap’s slick, luminous “Bombay Velvet”, set in 1969; Bombay is experiencing a burgeoning building tsunami; gritty graft, gangsters galore, sepia-toned cinematography; a homage to Hollywood gangster flicks of the 30’s and 40’s and actor James Cagney; the film commences with Cagney’s death scene in …

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THE 100-YEAR-OLD MAN WHO CLIMBED OUT THE WINDOW AND DISAPPEARED (SWEDISH: ENGLISH SUBTITLES) FIRST REVIEWED OCTOBER, 2014

Enough. That is what spurred “Allan Karlsson’s” (archival performance by Robert Gustafsson) rebellious act on his century birthday; fleeing the nursing home as they prepare his celebratory feast; he is spry, weary of the quasi-prison he is  comfortably cloistered in, the ubiquitous monotony; he escapes, and viewers are treated to one of the most idiosyncratic odysseys in film history. It …

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FAR FROM THE MADDENING CROWD

Thomas Hardy’s 1874 novel is lusciously endowed with sweeping, undulating landscapes, “Turneresque” sunsets and actors, imbuing their characters with all the scintillating romance and passionate drama Hardy intended; Carey Mulligan as “Bathsheba Everdene” is as tempestuous, and as alluring as her biblical namesake (Bathsheba, married King David, after he eliminated her husband, Uriah;  impregnated her with the future King of …

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CHILD 44

There is something powerfully enigmatic, hypnotic about the deftness of Tom Hardy’s artistry; he is a chameleon, from demon to divine his every role is a revelation:  beleaguered soldier in “Band of Brothers”; evil incarnate as “Bane” in “The Dark Knight Rises”; smoldering, darkly romantic  “Heathcliff” in Wuthering Heights”; skewered savant in “The Drop”; he soared in the minutely seen …

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TANGERINES (GEORGIAN-ESTONIAN: ENGLISH SUBTITLES)

This award-winning film focuses on the civil war in Abkhazia (Georgia, 1992-93); a war that drove most Estonians, who had settled in the area, commencing in the mid-nineteenth century, back to their roots; they had overcome language, economic, political, religious barriers; slaughtered on the altar of Chechen/Georgian inbred animosity. Two farmers elected to stay and harvest their crop of tangerines; …

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DIOR AND I

How’s does one define the fascination of documentaries/films focusing on the fashion industry?  Hidden, silently simmering from one to the next: “Ultrasuede: In Search of Halston”, “Valentino: The Last Emperor”, “The September Issue”, “The Devil Wears Prada” , “Coco Before Chanel”, is a lustful fantasy for the extravagantly magisterial wardrobe; created for the favored few; the “Cinderella Syndrome” , a …

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CLOUDS OF SILS MARIA

Writer/director Olivier Assayas, aided by gifted actors depicts and ode to “ageing”, a commentary on contemporary interpretations of past and present “characterizations”; how time changes one’s outlook;  it is a play within a play and as much as I yearned to like it found the protagonists tiring, familiar and uninteresting. “Maria” (flawless Juliette Binoche) is asked to star in a …

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DESERT DANCER

What could have been a magnificent story of fortitude, besting the most stringent, violent, suppression of light, spirit, evaporates, uncomfortably, into the meandering and melodramatic; loosely based on the true narrative of “Afshin Ghaffarian” (poignantly portrayed by Reece Ritchie), an Iranian dancer forced to camouflage his formation of a dance troupe, hiding from Iran’s “morality police”; it is 2009 and …

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