What a difference seven days creates; last week’s pathetic “Piku” is beautifully overshadowed by director Anurag Kashyap’s slick, luminous “Bombay Velvet”, set in 1969; Bombay is experiencing a burgeoning building tsunami; gritty graft, gangsters galore, sepia-toned cinematography; a homage to Hollywood gangster flicks of the 30’s and 40’s and actor James Cagney; the film commences with Cagney’s death scene in …
Read More »THE 100-YEAR-OLD MAN WHO CLIMBED OUT THE WINDOW AND DISAPPEARED (SWEDISH: ENGLISH SUBTITLES) FIRST REVIEWED OCTOBER, 2014
Enough. That is what spurred “Allan Karlsson’s” (archival performance by Robert Gustafsson) rebellious act on his century birthday; fleeing the nursing home as they prepare his celebratory feast; he is spry, weary of the quasi-prison he is comfortably cloistered in, the ubiquitous monotony; he escapes, and viewers are treated to one of the most idiosyncratic odysseys in film history. It …
Read More »FAR FROM THE MADDENING CROWD
Thomas Hardy’s 1874 novel is lusciously endowed with sweeping, undulating landscapes, “Turneresque” sunsets and actors, imbuing their characters with all the scintillating romance and passionate drama Hardy intended; Carey Mulligan as “Bathsheba Everdene” is as tempestuous, and as alluring as her biblical namesake (Bathsheba, married King David, after he eliminated her husband, Uriah; impregnated her with the future King of …
Read More »CHILD 44
There is something powerfully enigmatic, hypnotic about the deftness of Tom Hardy’s artistry; he is a chameleon, from demon to divine his every role is a revelation: beleaguered soldier in “Band of Brothers”; evil incarnate as “Bane” in “The Dark Knight Rises”; smoldering, darkly romantic “Heathcliff” in Wuthering Heights”; skewered savant in “The Drop”; he soared in the minutely seen …
Read More »TANGERINES (GEORGIAN-ESTONIAN: ENGLISH SUBTITLES)
This award-winning film focuses on the civil war in Abkhazia (Georgia, 1992-93); a war that drove most Estonians, who had settled in the area, commencing in the mid-nineteenth century, back to their roots; they had overcome language, economic, political, religious barriers; slaughtered on the altar of Chechen/Georgian inbred animosity. Two farmers elected to stay and harvest their crop of tangerines; …
Read More »DIOR AND I
How’s does one define the fascination of documentaries/films focusing on the fashion industry? Hidden, silently simmering from one to the next: “Ultrasuede: In Search of Halston”, “Valentino: The Last Emperor”, “The September Issue”, “The Devil Wears Prada” , “Coco Before Chanel”, is a lustful fantasy for the extravagantly magisterial wardrobe; created for the favored few; the “Cinderella Syndrome” , a …
Read More »CLOUDS OF SILS MARIA
Writer/director Olivier Assayas, aided by gifted actors depicts and ode to “ageing”, a commentary on contemporary interpretations of past and present “characterizations”; how time changes one’s outlook; it is a play within a play and as much as I yearned to like it found the protagonists tiring, familiar and uninteresting. “Maria” (flawless Juliette Binoche) is asked to star in a …
Read More »DESERT DANCER
What could have been a magnificent story of fortitude, besting the most stringent, violent, suppression of light, spirit, evaporates, uncomfortably, into the meandering and melodramatic; loosely based on the true narrative of “Afshin Ghaffarian” (poignantly portrayed by Reece Ritchie), an Iranian dancer forced to camouflage his formation of a dance troupe, hiding from Iran’s “morality police”; it is 2009 and …
Read More »THE SALT OF THE EARTH (FRENCH/ PORTUGUESE: ENGLISH SUBTITLES)
Paul Cezanne said Claude Monet was only an “eye”, but God, what an eye”; watching Wim Wenders (“Pina”) and Juliano Salgado’s documentary “The Salt of the Earth”, focusing on the forty- year career of photographer Sebastiao Salgado (Juliano’s father), I was mesmerized by the overwhelming depth of sensitivity, profound respect in which Salgado imbues his subjects; portraits of nameless, shunned, …
Read More »THE SECOND BEST EXOTIC MARIGOLD HOTEL
A distant, vastly disappointing “second”; unfathomable, dreary interpretation of characters so alive and vibrant in the first “chapter”; gone is the exciting, enticing flavor of India; this bland, silly scenario could have taken place anywhere. The same cast, marginalized by mundane writing and superfluous directing (John Madden, “Shakespeare in Love”). Dev Patel, “Sonny” the endearing proprietor of the “Marigold Hotel” …
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