Breaking News

Foreign

BONHOEFFER: PASTOR. SPY. ASSASSIN. (in theatres)

“This is the end-for me, the beginning of life”. Dietrich Bonhoeffer’s (1906-1945) last words on the day he was hung by the Nazis, April 9th, at 39 years of age, days before the end of the war. It was a tragic conclusion to a life lived without regret; a life where a darkened shadow of doubt never interfered with the …

Read More »

SMALL THINGS LIKE THESE (in theaters)

Cillian Murphy steps as far as possible away from his Academy Award winning performance as prodigious J. Robert Oppenheimer; he is a struggling Catholic coalman, father of four daughters, caught in a righteous dilemma revolving around his local convent, led by “Sister Mary” (Emily Watson is a worthy, threatening adversary). Based on the novel by Claire Keegan, directed by Tim Mielants, …

Read More »

FINAL FILMS & INSIGHTS FROM THE 60TH CHICAGO INTERNATIONAL FILM FESTIVAL

“THE SEED OF THE SACRED FIG” (IRAN, FRANCE, GERMANY) DIRECTOR, MOHAMMAD RASOULOF “Never trust the obvious” resonates continuously from the supposed “guilty” to the obvious “innocent”; soaked in the restricted city, Tehran, hounded by paranoid rules, a family flounders in this positively frightening political drama, that dares to challenge viewers sensitivities until the spell-binding conclusion and the discovery of the …

Read More »

CONTINUED FLICK TIPS FROM THE 60TH CIFF

“MY FAVORITE CAKE”  (IRAN, FRANCE, SWEDEN & GERMANY) DIRECTORS, MARYAM MOGHADDAM, BEHTASH SANAEEHA Time does not dictate “affairs of the heart” and you do not choose the subject of desire; it just happens and “My Favorite Cake” is a refreshing, joyous connection between a chance meeting of two individuals “forever young”. FOUR STARS!!!! “GHOST TRAIL” (FRANCE, GERMANY, BELGIUM) DIRECTOR, JONATHAN …

Read More »

FLICK TIPS FROM THE CHICAGO INTERNATIONAL FILM FESTIVAL, 60TH ANNIVERSARY

“THE PIANO LESSON” (US) The Washington brothers (Malcolm, director, John David, actor) give immediate license to August Wilson’s 1987 play of the same title.  And an iconic, macabre exorcism, that will satisfy those lusting for the “horror” tremors. FOUR STARS!!!! “THE ART OF JOY” (ITALY/UK)  DIRECTOR, VALERIA GOLINO) For devotees of “length” this over five-hour film should satisfy your lusty, …

Read More »

THE OUTRUN (in theatres)

We have been doused/soused with a plethora of movies dealing with the vicissitudes of alcoholic women: “Days of Wine and Roses”: “Woman Under the Influence”, “When a Man Loves a Woman”, “28 Days”, “To Leslie” but we’ve never come across “Rona” a blue-haired, twenty-nine-year-old harridan, whose demonic side is birthed in every inebriated phase; Saorise Ronan, also a producer tackles …

Read More »

LEE (in theatres)

Lee Miller (1907-1977) was a woman of prodigious substance, a feminine force, a rule bender, barrier basher and a lifelong, in tandem with Gertrude Bell (1868-1926), destroyer of the male, testosterone dominated universal sphere. She had it all: luminous beauty, sophistication in qualitative abundance, lover and muse of Man Ray (1890-1976); inquisitive intellect that transcended gender bias; as a realistic …

Read More »

THE CRITIC (in theatres)

Regardless of its Greek and Latin origins, defined as “able to discern”, the critic’s role, to judge, evaluate, interpret categorically sinks into the negative realm of toxic criticism in “The Critic” (based on 2015 novel “Curtain Call” by Anthony Quinn) and Ian McKellen as  “The Daily Chronicle’s” London theatre critic “Jimmy Erskine” champions as an acerbic annihilator, castrator, humiliator of all …

Read More »

KNEECAP (IRISH: ENGLISH SUBTITLES) IN THEATRES

Inadvertently, I visited “Kneecap” without even a whiff of its content. I do not care, another whiff, for rap! If it’s generational, I missed it by decades and did not mourn its loss. So, sitting with an audience of prepubescent attendees, I found myself laughing, with requited glee, bouncing in my seat to its iconoclastic rhythm, lyrics and high-fiving its …

Read More »

SING SING (in theatres)

RTA, Rehabilitation Through the Arts. It works miraculously and its redolent power surges through the backbone of this remarkable film. Incarcerated inmates, serving interminable, hopeless sentences; real men rising above their crimes, circumstances, reveling in the vicissitudes of Shakespearian fictional and non-fictional characters, historical heroes and villains; unbridled talent oozing from their core, dormant since birth but flaming in a …

Read More »