Bollywood

The Bollywood oeuvre has gifted audiences some mighty movies revolving around real and fictional athletes: “Lagaan”, “Bhaag Milka Bhagg”, “M. S. Dhoni: the Untold Story”, “Chad De! India”, “Sultan”; fascinating studies of teams and individuals who rise from the ashes of obscurity to renown. “Dangal” directed by Nitesh Tiwari, produced and starring Bollywood’s most innovative, imaginative “Khan” focuses on the …

If you can stomach Alia Bhatt’s inordinate “cuteness”, pungent pouting, camera mimicry for the first third of the film, you’ll enjoy this flavorful Bollywood flick. “Kaira” (Bhatt) is a talented, but unrecognized neophyte, cinematographer. Commercial work and cameo scenes pay the rent but she is in a lacuna professionally and personally; lacking the aptitude for commitment, intentionally sabotaging her attachments …

If you survive the first hour wallowing in the abyss of silliness, manufactured mimicry, saccharine sophism, entertainment blossoms with the astounding radiance of Aishwarya Rai Bachchan, in  this predictable, weepy scenario. Rambir Kapoor and Anushka Sharma star as a two-sum: “Ayan” (Kapoor) wants more than friendship from “Alizeh” (Sharma) who is satisfied with a “huggy”, platonic relationship; their song and …

There has never been a better Festival in the history of “Festdom”.  In the last three days I have visited eleven films, a myriad of countries, and on a five-star rating, the lowest star bestowed was a four.  Here are a few, that presented with the opportunity, should be seen:   “SWEET DREAMS”; ITALY/FRANCE. A mesmerizing, enchanting story of  devastating …

Director Neeraj Pandey (“A Wednesday”) has made an incredible bio-pic of the inimitable cricket player Mahendra Singh Dhoni (born, 1981); actor Sushant Singh Rajput nails to perfection the player that Time magazine hailed as one of the most influential people in the world. Being a Westerner, the game of cricket and all its “wickets” is a fug of unfathomability; but …

Two Bollywood megastars in an Olympic box office competition. Tough decision as to who wins the gold, Akshay Kumar for “Rustom” or Hrithik Roshan for “Mohenjo Daro”. “Rustom” is a fictionalized version of the 1959 Nanavati Case; a scandalous, sensational affair, where a naval officer supposedly murders his wife’s lover; Akshay Kumar, absolutely devastating in his white uniform, gives a …

The first time I saw Salman Khan (“Marigold”) I was overwhelmed by his stunning beauty, a luminous countenance worthy of launching a thousand films; it mattered little that the film was awful, looking at him justified the price of admission. Now, almost ten years later, gone is the beauty, replaced by burgeoning brawn and surprisingly honed acting acuity. He is …

India is cursed with its drug chaos, a ubiquitous issue plaguing nations worldwide. “Udta Punjab” is a serious, if at times sensational, depiction of the epidemic, its victims, perpetrators and the pervasiveness of this evil  “weapon of mass destruction”. Director Abhishek Chaubey has culled a superior cast to portray fictional characters in a realistic setting: Shahid Kapoor is “Tommy Singh”,  …

An original take on a used and abused theme: a star whose “stalker” becomes a menacing, obsessive, destructive force. Loosely based on 1981’s “The Fan” starring Lauren Becall and James Garner and 1996’s imitation starring Robert De Niro and Wesley Snipes; Bollywood heartthrob, Shah Rukh Khan, pulls out all the stops and plays both the “stalker” and the “star”. At …

It is rare when a Bollywood film lingers in Western theatres for more than a week; surprisingly, but more than worthy, “Kapoor and Sons” survived the seventh day elimination; blurring the lines between east and west the movie focuses on three generations of the “Kapoor” family, confronting issues pervasive in all cultures: love, rivalries, indiscretions, subterfuge; a family torn asunder, …