“THE ANDY WARHOL DIARIES”     (NETFLIX)  Excellent, introspective, comprehensive study of a man who changed the medium, meaning of what constitutes “art”; Andy Warhol bulldozed the “pedestal”, “frame”, “vitrine”; rising above traditional “cross & crown”, the angst of Abstract Expressionism, focusing on contemporary, every day, and universal fascination with fame: television junkies, voyeuristic tabloids, shocking sensationalism of untimely demises, race riots, …

Gratuitous gore, guts and inhumaneness inform the premise of writer/director Goran Stolevski’s film, located in 19th century Macedonia; witches, lusting after the blood of newborns, muting infants; girls are the ultimate prey, transformed into cannibals, they mutilate with impunity, slaughtering for revenge, power; anthropophagites devouring each other, only to become the devoured; savagery stars in this baseless thriller; identity wallows …

A film with enough cacophonous hilarity, reminiscent of horror, science fiction (died & revived) frenzy and “Kill Bill” chorography, a myriad of universes; the Alphaverse, the connective tissue, observing the others; premature outcomes; if it escaped your understanding the first go-round, directors Daniel Kwan and Daniel Scheinert visually bludgeon viewers repeatedly with metaphors “never trust the obvious, the brighter the …

Brash, bold, colorful couture bombarded the red carpet; I never realized that would be the highlight of the evening; an evening that suffered a low never experienced in Academy Award history; dignity destroyed on an altar of self-righteousness; no rebound, no “win” can ever erase or reward egregious behavior, witnessed worldwide. The actor should pray for paltry ratings.  As in …

Testament to the magnetic power of film, its accessibility, universal appeal, regardless of age, gender, heritage it has generated almost as many critics as imbibers; periodically you experience a critic, a devotee of the genre that soars above the flock, a person with an inimitable command of the English language; vocabulary alone paints a filmic scene, in no need of …

Two young women of extraordinary intelligence, drive, vision, whose hubris is of such magnitude that it transcends their mission, blinding them to the reality of their divergent decisions, comprising their journey to greatness, worthy of approbation. Theirs’ is a contemporary Shakespearian tragedy of overwhelming proportions.  Anna Sorokin (1991-) aka “Anna Delvey” the daughter of middle-class Russian parents, created a fictional …

Filmic whiplash has never been more exhilarating, intoxicating; once you feel surefooted, writer/director Graham Moore (“The Imitation Game”) has you spinning out of control, flying out of your seat, knowing you are experiencing the best film of 2022; viewers are incarcerated, on a snowy evening in 1956, Chicago; a tailor’s shop whose proprietor, an expat from London’s Saville Row, “Leonard” …

Two explosive and extremely traumatic films based on actual events; one inadvertent and one intentional; both are viscerally challenging to watch. “The Bombardment” from its inception is shocking: an idyllic landscape in the outskirts of Copenhagen witnesses the bombing of a taxi holding three virginally beautiful women in white; a young cyclist, “Henry” (Bertram Bisgaard) rendered mute by the sight …

THE BATMAN  (in theatres) If you have indulged in “Batman” mania this is one for the archives; he debuted in the March 30th 1939 issue of Detective Comics and has been portrayed on the screen by actors: Lewis G. Wilson, Robert Lowery, Adam West, Michael Keaton, Val Kilmer, George Clooney, Bruce Thomas, Christian Bale, Ben Affleck, plus a few fringe …

Years ago, a friend and I had the privilege of touring the Dharavi slum in Mumbai; staggering in its viability, actuality in its focus on poverty at its nadir, but also depicted the ingenuity of its in habitants; it was a hotbed of industry, vibrating with entrepreneurship: bakeries, cleaners, schools, with uniformed children; these inspirational exceptions eased, but did not …