Compelling, hypnotic simulated incarceration project initiated by Professor Philip Zimbardo in 1971 at Stanford University. Billy Crudup (mesmerizing as Zimbardo) and the actual Professor were guests on “Charley Rose” recently; the interview piqued my interest, especially the manipulative, addictive powers of role-playing. Zimbardo, a philosophy professor, creates a scenario to test the psychology, mentality of prisoners and guards; after a …
Read More »Netflix and Beyond
MISSION IMPOSSIBLE- ROGUE NATION
Remarkably Tom Cruise’s celebrity does not transcend the plot of this tightly -wrought thriller; the action is intense, feasible and expertly executed. Writer/director Christopher McQuarrie eliminates the glibness, tongue-in-cheek parodies pervasive in contemporary “save mankind” films. Cruise’s portrayal of hero “Ethan Hunt” is sensationally seasoned; with equanimity he hangs from planes, stoically survives excruciating beatings; Houdini-like escapes, actualized with slippery …
Read More »BAJRANGI BHAIJAAN (HINDI: ENGLISH SUBTITLES)
Salman Khan puts his financial largesse, talent and a major portion of his soul into this Bollywood extravaganza; a unique, subtle, spirited view of Hindu/Muslim relationships. Lacking bludgeoning, blatant, self-serving proselytizing, the film beautifully addresses religious, cultural differences by using as “tools” a simple, righteous man “Pavan” (Khan) and a mute, lost Pakistani girl, “Munni/Shahida” (the heart of the film; …
Read More »SOUTHPAW
On Saturday May 2, 2015, I was one of the millions of lemmings lusting to watch the “fight of the century”: Floyd Mayweather versus Manny Pacquiao; not an aficionado of the sport, but a fan of great boxing films; grossly naive, felt this competition would have some aspects of “Rocky”, “Raging Bull”, “Cinderella Man’”; lacking gusto, barely-breathtaking, the only surprise …
Read More »IRRATIONAL MAN
Woody Allen has accomplished the irrational; no matter the protagonist, either male or female, it is Allen’s persona that is splayed upon the screen; in this, his most recent “autobiographical” scenario, he cloaks himself in the guise of Joaquin Phoenix, playing a neurotic, psychotic philosophy teacher; Allen’s frustrations spiral into the macabre; all the awards, female conquests, even marrying his …
Read More »MR. HOLMES
Sir Arthur Conan Doyle (1859-1930) has to be kvelling in the afterlife knowing that over seventy actors have played his iconic detective “Sherlock Holmes”; Ian McKellen, the latest “Mr. Holmes” is stellar as the man in his dotage, loosing his prescient intellectual deductions, struggling against the evaporation of time, grappling to recall and right a thirty-year-old “cold” case, documented by …
Read More »TRAINWRECK
I knew a couple whose roles were similar to “Amy” and “Aaron”; volatile, electrifying, boozy Amy versus staid, calm, reliable Aaron; their combustible relationship would have been ephemeral if Amy had not righted her ways; they are still together, contented and happy. Writer/actor Amy Schumer stars in this semi-autobiographical tale of her own dysfunctional formative years; her relationships with her …
Read More »THE WOLFPACK (ON DEMAND AND IN THEATRES)
Disturbing, creepy documentary by director Crystal Moselle, focuses on the Angulo family; seven children imprisoned in their Lower East Side Manhattan apartment, by their paranoid parents; Moselle sees the uniformly dressed brothers (6 boys and a girl) waist-length pony tails, dark suits, sunglasses; curiosity piqued, Moselle engages the boys and the result is one of the strangest urban, gothic tales …
Read More »AMY
Brian Jones, Janis Joplin, Jimi Hendrix, Jim Morrison, Jean-Michel Basquiat…..Amy Winehouse (1983-2011), all died at the age of 27; supernovas extinguished by their own manufactured flames. Asif Kapadia’s stunning, brutally honest documentary about the doomed talent resonates to the core with the unadulterated pain of an unprotected, over-exposed ego; Amy was a one-dimensional individual, supremely gifted with a voice to …
Read More »MAGIC MIKE XXL
“Magic” has been replaced by nostalgia; longing for the vibrancy and electricity of 2012’s “Magic Mike” the sequel pales and is lame, “limp” in comparison. Yes, the physiques are flawless, honed to scintillating perfection, gyrating, double-jointed, slithering between fawning, manic maidens and matrons; still possessing the “moves” but the fire, passion has fizzled, leaving a placid, stale imitation of what …
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