Netflix and Beyond

No medium does vigilante justice like Bollywood; overwhelming satisfying when women met out punishment, when accountability fails.  Two iconic films “Kahaani” and “Ek Hasina Thi”, are immensely creative in serving “revenge” frigidly calculated; “Mom” pulsates with premediated cunning, intelligence, verve and a performance of such heartfelt depth that a Filmfare Award should be in her future; Sridevi as “Devki Sabarwal” …

Focuses on the 2006 St. Andrews Agreement, a monumental step in the elimination of the bloody strife between The Democratic Unionist Party and the I. R. A./Sinn Fein; Ian Paisley(Timothy Spall) and Martin McGuinness (Colm Meaney) and the fictionalized, imagined version of how these mortal foes became “The Chuckle Brothers” eventually serving as First Minister and Deputy Minister of Northern …

Twenty-three-year-old Ansel Elgort has the balletic acuity of Tommy Tune; the countenance of a youthful Brad Pitt; a talent whose maturity is stunningly developed. He is mesmerizing as a getaway driver for a mélange of mendicants; his hearing was compromised in an automobile accident as a child; ear pods perpetually inserted, his every minute, rhythm is defined by music. Watching …

There is a pivotal scene in this autobiographical film that resonated with profound honesty; a confrontation between a contemporary American Muslim and his traditional parents; redolent with truth, pain; a chasm of misunderstanding exists between the generations, intransigence thrives on both sides. Anyone who has ever loved “outside the box” will relate to its relevance. Of particular charm is that …

Over a lifetime of movie going I have left approximately five films; Sofia Coppola’s 2010 “Somewhere” was one of the few; shamefully I stayed for the entirety of “The Beguiled”, a film so flavorless, dimensionless and hypnotically dull that disbelief outweighed enervation; why did this film not cease to be before dumping it on the unsuspecting public? The monotony commences …

Despite the supercilious title and the lengthy prologue there are some fine moments in this rendition of Hollywood’s 2015, “Little Boy”; a young boy feels the power of faith can, in reality, “move mountains”; this Bollywood version, starring Salman Khan, as “Laxman” a simple-minded, but loveable man-child, follows Gandhian precepts to expedite the safe return of his brother “Bharat” (Sohail …

It can be just as much of an impediment to be at the pinnacle of the intelligence scale, as the nadir; trying to adjust to your peers averageness; suffocating arrogance, with limited minds; yearning for inclusion when your intellect portends isolation; “The Book of Henry” is an extraordinary story about a well-adjusted genius, “Henry” (brilliant and superb, Jaeden Lieberher), his …

There are performances, once seen, that take up permanent residency in one’s archival memory bank. Focusing on women actors: Luise Rainer (“The Great Ziegfeld”), Vivian Leigh (“Gone With the Wind”), Bette Davis (“All About Eve”), Meryl Streep (“Sophie’s Choice”), Kareena Kapoor (“Main Prem Ki Diwani Hoon”), Maggie Smith (“The Prime of Miss Jean Brodie”), Helen Mirren (“The Last Station”);  umpteen …

Intentionally ambiguous, Daphne du Maurier’s (1907-1989) novel, leaves readers musing, perplexed about the duplicitous widow, “Rachel”; portrayed marvelously by Olivia de Havilland in the 1952 film and equally exquisite, Rachel Weisz, in this year’s version. The sixty-five-year hiatus, with hindsight, enhances Rachel’s dilemma; the scenario evolves in the mid-1800’s on the Cornish coast of England; “Philip Ashley” (dashingly handsome Sam …