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PENEFLIX ANNUAL ACADEMY AWARD CONTEST 2019, TWO WEEKS LEFT!!!

Once again February has shed prominence on the stars, movies and those behind the scenes. This year is the most difficult, challenging to date, due to the range and diversity of the films and nominees. I feel there should be separate categories for drama and comedy. I also question “Roma” being in “Best Movie” and best “Foreign Film” categories. Every …

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ARCTIC

A nameless man, ambushed by a gorgeous, magnificently hostile, intransigent landscape, architects his survival; his doomed airplane and fishing expeditions keep him alive; Mads Mikkelsen’s performance is miraculous, imbued with astounding strength, tenacity and goodness; he rescues a wounded woman (Maria Thelma Smaradottir) after her plane and husband have perished; his phenomenal resourcefulness gifts viewers a look at a mythical, …

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WHAT MEN WANT

Dimpled, dazzling Taraji P. Henson registered as a dynamic, minimally heralded performer on my inventory of “actors to track” when she  played detective “Joss Carter” on television’s “Person of Interest” (2011-2016, Joss was eliminated in the third season); her career, stunningly escalated in 2016’s “Hidden Figures” with her brilliant depiction of NASA mathematician, Katherine Johnson (1918-), in director Adam Shankman’s …

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THE INVISIBLES (German: English SUBTITLES)

1,700 Jews survived World War II living in Berlin; “The Invisibles” is Germany’s remarkable testament, lauding the indomitable survival instincts of four who defied the odds and lived. Archival interviews with the aged survivors, interspersed with actors depicting their youthful travails, is riveting filmmaking; director Claus Rafle, without blinders, creates a masterpiece, recognizing  not only the temerity of the Jewish …

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THE LEAST OF THESE: THE GRAHAM STAINES STORY

With all the fantastical, superficial, sensational movies spawned upon the screen, “The Least of These” will quietly shrivel into obscurity, an undeserving demise for an analysis in quiet devotion, a pure evaluation of a sincere and godly man; Mother Teresa (1910-1997), founder of the “Missionaries of Charity”, whose altruistic dedication to the sick, disenfranchised, poverty-stricken of India, earned her a …

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PENEFLIX ANNUAL ACADEMY AWARD CONTEST 2019, THREE WEEKS LEFT!!!

Once again February has shed prominence on the stars, movies and those behind the scenes. This year is the most difficult, challenging to date, due to the range and diversity of the films and nominees. I feel there should be separate categories for drama and comedy. I also question “Roma” being in “Best Movie” and best “Foreign Film” categories. Every …

Read More »

MISS BALA

With Cassandra prescience, harrowingly recognizing a precursor to a “Bala” franchise: “Ms.”, “Mrs.”, “Gramma Bala”; has to be terminated in the first trimester. Director Catherine Hardwicke and actors Gina Rodriguez (Miss Bala) and Ismael Cruz-Cordova struggle and fail in the recreation of Mexico’s 2011 Oscar nominee of the same name. “Gloria” (Rodriquez) is a naïve, makeup artist, in the wrong …

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URI: THE SURGICAL STRIKE & MANIKARNIKA: QUEEN OF JHANSI (HINDI: ENGLISH SUBTITLES)

Bollywood reveres and perpetually energizes its myths, gods, heroes and heroines, ancient and contemporary; their films pulsate, stun and elucidate audiences, Eastern and Western. The Ramayan and Mahabharata through centuries of repetition, still hypnotically enchant viewers; the movie versions keep the stories, myths, warring factions vibrantly alive. An epic film featuring  “Asoka, The Great”, ruler of India’s subcontinent (268-232 BCE) …

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PENEFLIX ANNUAL ACADEMY AWARD CONTEST 2019, SELECT AND WIN!!!

Once again February has shed prominence on the stars, movies and those behind the scenes. This year is the most difficult, challenging to date, due to the range and diversity of the films and nominees. I feel there should be separate categories for drama and comedy. I also question “Roma” being in “Best Movie” and best “Foreign Film” categories. Every …

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SERENITY ZERO STARS

An abusive, egregious example of “poetic license” gone awry, a freefall of intense mediocrity; an embarrassment for two Academy Award winning actors: Matthew McConaughey and Anne Hathaway as one-dimensional, divorced parents of an astrologically gifted son “Patrick” (Rafael Sayegh) who scripts the killing of his wretched stepfather “Frank” (Jason Clarke) from his wizardly computer. Commencing with unsubtle, unsuccessful, plagiaristic references …

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