Netflix and Beyond

“Arbitrage” is the simultaneous buying and selling of a security at two different prices in two different markets, resulting in profits without risk.” It is NOT illegal and this film does NOT address “arbitrage”. Predictably, the successful capitalist is untoward, manipulative, earning his ill- gotten wealth, not by skill and ingenuity but subterfuge, fraud. Devastatingly handsome Richard Gere is “Robert …

If you are driven to see this drab, depressing, droning film, check “On Demand”; at least in the privacy of your home you can self- medicate; aiding, wading through a well- performed but meaningless tale of angst at the end . Fine actors (Charlotte Rampling, Geoffrey Rush, Judy Davis) cannot salvage this story of a dying, wealthy, Australian matriarch, luring …

In Terrence Malick’s film “The Tree of Life” there is a twenty minute sequence that depicts the birth of the world, the Big Bang Theory; it is breath-taking and the only reason to see the movie. Ron Frick and Mark Magidson’s “Samsara” is a glorious extravaganza, a homage to the universe through the eyes of imposing, innovative geniuses. Wordlessly, we …

A tale within a tale within a tale of three authors; at its core a scenario of plagiarism, the act of stealing another’s idea, lying and convincing the world, and yourself, it is your creation, your brain-child; it has been around since antiquity, and undoubtedly will continue until the end of time. This is a good film: well- scripted, presented, …

This candidly remarkable film is not for everyone, but more than any movie in recent memory, deals honestly with the staggeringly powerful tentacles of addiction; a hunger that imprisons the body and more pivotally the mind. “Anders” is granted a day in Oslo after ten months in rehabilitation; he is clean but terrified of unshackled freedom, the bane, angst of …

The “cowboy” or western genre has never ranked too high on my scale of top themes; I recognize and respect the John Wayne/Gary Cooper cult; loved the “Ballad of High Noon” more than the plot. Although not a Western in the true sense (minimal horses),  Australian director John Hillcoat and screenwriter Nick Cave (not to be confused with the artist) …

David Cronenberg has made some pivotally powerful films (“Eastern Promises”, “History of Violence”) but “Cosmopolis” does not flirt or touch the legitimacy of his past movies. A dark, senseless “awakening” in a materialistic, capitalistic “cosmos”; billionaire “Eric Packer” spends a day in a white stretch limousine (technologically equipped), visited by staff, girlfriends, financial advisers, even his doctor; while watching his …

In 1994, San Antonio, Texas 13-year-old Nicholas Barclay disappears, vanishes without a trace; he is blond, blue-eyed, incorrigible, loveably irritating, a bane to his mother and older brother; his sister Carey Gibson, for years, grieves and searches, for her younger, painfully- missed sibling. Almost three and a half years later he surfaces in Linares, Spain. “The Imposter” is an excellent …

On a likeable scale from one to ten (ten being the most positive) where do bicycle messengers rank? They don’t! Without exception, as a group they are detested, cursed, sometimes killed but never pitied, admired or respected. They are universally iconoclastic: a plague, on urban society;  “rules of the road” do not apply to them, stop lights anathema, pedestrians annoyances, …

This awful flick is more a curse than “ legacy”;  disjointed, disengaging, disenfranchised from previous “Bourne” sagas starring Matt Damen; unfathomable crime using “ Bourne”  nomenclature to lure advocates of the now deceased Bourne genre, to this facile, sophomoric, anemic replacement. “The Bourne Legacy” pathetically edited, is a compilation of “running” sequences; Jeremy Renner (a fine actor, wasted in this …