Netflix and Beyond

As I suffered excruciating emotional and psychological pain, at the Gitmo level; watching another masala Bollywood extravaganza, questioning the hiatus in rational acuity, I surreptitiously glanced at my fellow detainees; they were kvelling, salivating with every absurd, silly antic, artificial slaps, bogus angst; questioning what they saw that escaped me; setting aside my irritation, rebooting my interest, erasing Western proclivities …

Comic books were anathema, banned from my home growing up; they were not worthy of reading, in the “eyes” of my parents;  my siblings and I “drank the cool aid” and wallowed in the worlds of Hans Christian Andersen, “Nancy Drew”, “Hardy Boys” and “Cherry Ames”. So the marvelous “Marvel” action figures are refreshingly unveiled in the darkened, contemporary confines …

A family of three, being photographed: uncomfortable, squirming in front of the technical, clinical gaze of the camera; they like each other, but there is an underlying awkwardness, a pretense of warmth, a feeling of unfamiliarity emanating from their forced gaiety. A gorgeous, precocious exchange student encroaches upon this fragile family and all vestiges of equanimity are shattered, deep- rooted …

Admittedly, I have never given the biblical “Noah” much thought; the ark, pairs of animals and the forty days and nights of rain (Seattle residents can relate to this) sums up my limited level of knowledge or curiosity.  With no expectations I watched Darren Aronofsky’s vividly imaginative interpretation, of what many consider conjecture, myth;  surprisingly, found myself “swimmingly” intrigued. There …

Jason Bateman is captivating as misogynistic, “Guy Trilby”, blessed with an eidetic memory; at forty, has discovered a loophole in spelling bee bylaws and despite convention, or protocol demands entry to a grade school competition. What transpires is a hilarious, often forlorn, entertaining narrative, defying transparency; Guy refuses to be bated by a savvy journalist (Kathryn Hahn), who uses feminine …

“Rani”  (Kangana Ranaut, “Queen”) a traditional, submissive Indian girl is dumped by her fiancé, “Vijay” ( Rajkummar Rao) a feckless cad, resembling a chipmunk, two days before the wedding; sheltered, naive, she nonetheless decides to go on her honeymoon to Paris and Amsterdam, alone.   What transpires is a joyous journey of self-discovery; shedding archaic taboos; accepting and understanding cultural differences; …

This tiresome, facile, tediously long imitation of “The Hunger Games”; the ubiquitously, depressing theme of a post- apocalyptic age, taking place in the decimated shell of the once viable city of Chicago, plummets the viewer with brutal training scenes; creating a weapon of mass destruction out of “Beatrice” a hundred- pound, determined young woman (Shailene Woodley). Handsome Theo James is …

This enchanting film was the darling of the 49th Chicago International Film Festival.  Lindsay Duncan and Jim Broadbent give luminous performances as a British couple venturing to Paris to celebrate their thirtieth wedding anniversary; on the surface, this seemingly well-matched pair banter, flirt as only those who have lived, studied each other’s foibles, idiosyncrasies, insecurities; a lifetime vocation in adjusting, …

Annette Benning and Ed Harris give genuinely fine and sensitive performances as middle-aged lovers; the camera’s honesty strokes each well-earned wrinkle, with tenderness. “The Face of Love”, realistically addresses the paralyzing depth of grief; no one ever truly recovers from a sudden loss; a loved one ripped, in a nanosecond, from one’s life, nothing prepares you for the cauterization of …

The dimpled -duo (Ayushmann Khurrana and Sonam Kapoor) cannot salvage this soulless, simple scenario about twenty-first century relationships; “Mohit” (Khurrana) struggles with joblessness  (if explored, could have been immensely intriguing) and “Maya” (Kapoor) his fiancé is financially accommodating until their partying ways become too much of an embarrassment for both “parties”. Skimpy comic relief is provided by Maya’s retired father …