Netflix and Beyond

A lighter, gauzier version of 1995’s “Diwale Dulhania le Jayenge” starring Shah Rukh Khan and Kajol. Why the title, so informed by irrevocable breakage, is a mystery; “Humpty” is an indestructible entity when it comes to his choice of a “bride”. Here is delightful romantic comedy blessed by two of Bollywood’s youthful, dynamic film forces. Alia Bhatt is formidable as …

An apocalyptic film with a twist; Director Matt Reeves within minutes cements the viewers vested interest in the ape community; run democratically by “Caesar” (Andy Serkis), keeping a watchful eye on miscreant “Koba” (Toby Kebbell), living in mist -full, luminous harmony, gracefully swinging from one limpid, luscious limb to another; extraordinary makeup and costuming make each ape easily distinguishable. Enter …

“The Exorcist” (1973) still reigns as one of the most frightening films in the history of the horror genre. It was out of desperation, in this dearth of film selection, that I gingerly crept into “Deliver Us From Evil”; eerie, compelling scenario based upon detective Ralph Sarchie’s surreal, terrifying incidents of unexplained phenomena; bouts of evil reenactments, reminiscent of a …

Gamin, Keira Knightley, dashing, Mark Ruffalo with director John Carney (“Once”) in “Begin Again” bless audiences with a delectable, fluffy, scrumptiously sweet scenario;  guileless,  warm, mesmerizing meringue of a summer flick. Simply enchanting; delicious to watch, delightful to listen to (composer Gregg Alexander);  two depressed souls, destined to meet and make musical magic. “Dan” (Ruffalo) fired from his job as …

Brilliant, profoundly, even squeamishly honest; Roger Ebert’s life (1942-2013) is splayed across the screen; redolent of a life pungently, passionately imbibed;  almost singlehandedly he elevated the art of film to the celestial; uncompromising, through vicissitudes, heartache, glory he “did it his way”. Steve James (“Hoop Dreams”) and Mr. Ebert gift audiences a documentary, that regardless of one’s attraction to movies, …

Melissa McCarthy is an intelligent woman with impeccable comedic timing; together with her husband, Ben Falcone (he also directed and plays her boss “Keith”) she wrote and stars in “Tammy”, a movie that elicits little laughter and lots of disappointment; the first twenty minutes she harangues anyone and anything within hearing distance; she has created a cult to corpulence,  and …

A film within a film within a film; resulting in diaphanous characterization; twisted scenarios, locations bouncing from Paris, Rome, New York City, even the most prescient will be challenged to follow the route to perdition.  Guilt- ridden men, whining, mournful women, director Paul Haggis’s  (“Crash”) convoluted, enervating plot leads to dissatisfaction, frustration and in the end, absolutely bereft of concern …

This dreadful monument to poor taste ranks in the laurels of one of the worst films ever made, in any country; an embarrassment to its industry; how and why in Shiva’s name was this ever produced?  Director Sajid Khan proves certifiably unbalanced, not even worthy of the mental institution he places his protagonists in; men, masked as dogs, howling idiocy;   …

The 2005 Broadway, award-winning, biographical musical about the rise and plummet of the “Four Seasons” , anchored by high-pitched crooner Frankie Valli, falls flat on the big screen; lacking the authenticity, originality and “all that jazz” of the play, it ploddingly, superficially portrays the accelerated ascent of New Jersey petty thieves, to icons of musical notoriety; plastic, shallow depictions, identical …

Australian director David Michod’s (“Animal Kingdom”) “The Rover” drills into the psyche of the damned; set in post-apocalyptic Australia. “Eric” (magnetically, fierce portrayal by Guy Pearce) whose sole mission is to retrieve his stolen car, partners with wounded “Ray” (pivotal, powerful, performance by Robert Pattinson), a stuttering, febrile, minimally- challenged psychopath, whose brother is one of the car thieves. This …