Netflix and Beyond

This is the best film generated from the Bollywood genre in years; not a false or silly character; legitimate, recognizable individuals, regardless of ethnicity; it is generational, contemporary and sensationally acted by actors at the pinnacle of their careers. Anil Kapoor and Shefazi Shah depict “Kamal and Neelam Mehra”, married for thirty years; sparks have long fizzled; replaced by faked, …

Sublime performances inform “Love and Mercy”; a fascinating and personal biopic of an iconic American Rock and Roll Band, “The Beach Boys”: brothers Brian, Dennis and Carl Wilson plus cousin Mike Love and friend Al Jardine: California boys who changed the world’s musical landscape; no longer needing a partner to dance, you could solo,  feel the “vibrations” and fly. The …

There was a time when just looking at Woody Allen or Bill Murray made me laugh; those days have waned but remarkable Melissa McCarthy has hilariously filled the laughter gap; she is CIA agent “Susan Cooper” pulled from a bat-infested surveillance basement when her charismatic partner  “Bradley Fine” (Jude Law peppers his performance with levity, a touch of “Bondish” savoir …

Bradley Cooper’s deep blue eyes and charming handsomeness cannot salvage Cameron Crowe’s  mediocre, apathetic attempt at a romantic comedy. “Brian Gilcrest” (Cooper) is a washed-up military contractor, hired by another “Hollywood”  ubiquitous, self-serving, billionaire (Bill Murray, minimally effective) as part of a US space program in Hawaii; he is chaperoned by “Captain Allison Ng” (Emma Stone), whose perky, pesky, energized …

“Mumbai Mirror’s” film critic Rahul Desai, quit after his Two & 1/2 Star rating of romcom  “Tanu Weds Manu Returns” (a sequel to an average movie)  was increased to a Three & 1/2 Star billing; egregious behavior on the part of the editors; actually, Desai’s rating was too high for this placid, dull, redundant script. “Manu” (R. Madhavan) is a …

The Cannes International Film Festival is an annual film festival held in Cannes, France, which previews new films of all genres, including documentaries, from around the world. Peneflix  

What a difference seven days creates; last week’s pathetic “Piku” is beautifully overshadowed by director Anurag Kashyap’s slick, luminous “Bombay Velvet”, set in 1969; Bombay is experiencing a burgeoning building tsunami; gritty graft, gangsters galore, sepia-toned cinematography; a homage to Hollywood gangster flicks of the 30’s and 40’s and actor James Cagney; the film commences with Cagney’s death scene in …

Visited this dystopian adventure for a single reason….Tom Hardy. He is perched solidly at the pinnacle of my contemporary screen personalities; embarrassingly, it took me ten minutes to realize he was the hood ornament on an apocalyptic war machine, iron-faced, speechless, saved by the “Imperator Furiosa” (solidly, ferociously tempered and toned Charlize Theron); uneducated in the pathos, ethics, gravitas of …

Enough. That is what spurred “Allan Karlsson’s” (archival performance by Robert Gustafsson) rebellious act on his century birthday; fleeing the nursing home as they prepare his celebratory feast; he is spry, weary of the quasi-prison he is  comfortably cloistered in, the ubiquitous monotony; he escapes, and viewers are treated to one of the most idiosyncratic odysseys in film history. It …

How could Bollywood icon, the answer to the first trivia question in the  “Slumdog Millionaire” contest;  barrier- breaker between Eastern and Western films, stoop to accepting the role of a curmudgeonly,  constipated hypochondriac? Amitabh Bachchan, left viewers squeamishly embarrassed at his portrayal of “Bhashkor Banerji”, squawking, lamenting his inherited “curse”; scatological discussions, disgustingly inform the narrative and was the focus …