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A microcosm in a sphere that has ignored, overlooked them; director Hirokazu Kore-eda’s (“After the Storm”) enchanting tale, beautifully scripted, has viewers rooting for the illegal success of the “shoplifters”: “Osamu” (Lily Franky) and “Shota” (Jyo Kairi) effortlessly depict a copacetic team of thieves (their wonderfully warped logic; “if it’s in a store, it belongs to no one”, satisfying the …

Rape. On December 12th, 2012, a 23-year-old physiotherapy student was gang raped by six men and later died of her injuries. In the same year approximately 25,000 rapes occurred, most offenders, known by their victims; there is a lethal disparity between those charged and convicted.  “Simmba”, directed by Rohit Shetty is a valiant slap at the nefarious perpetrators, prosecutors, and …

A night of glitz and glamour (Lady Gaga in an award winning gown), more importantly a night of civility and class; it was as if the egregiousness of this past year was left in the wake of a new era; the presenters and winners, like the strongest steel, emerged from the flames, surviving a year of discontent, stronger, highly polished …

Embarrassingly, I have never seen “Saturday Night Live”, obviously on a sojourn in an alternate universe; regardless, I was aware of the goddess of the comedic realm, Gilda Radner (1946-1989) and the girth of her reputation has continued to expand since her untimely passing. Director Lisa Dapolito culls archival footage from the star’s childhood, interviews with her comical contemporaries, and …

The year 2018 saw the rise of two remarkable women, recognized by gallerists for their innovative, painting acuity; both in their seventies, having excelled in alternate professions, have reinvented themselves and are soaring, proving that age should not be a factor in excavating one’s dormant sensibilities, disciplines. Watching Felicity Jones, donning the early years of Ruth Bader Ginsburg (1933-), and …

A title referencing malfeasance, iniquity, corruption and moral depravity leaves no question in the viewer’s mind as to writer/director Adam McKay’s opinion of Vice President Dick Cheney (2001-2009); flashbacks of the most horrific period in American history are scalded in our memories and uncomfortable to revisit; to be in a position of power on September 11, 2001 was not enviable …

There is a reverence that saturates every blissful moment of this remarkably fine film, based on James Baldwin’s 1974 novel; Beale Street; a metaphor, microcosm for an African American’s unique experience: New Orleans, Chicago, New York, lives mimic each other. Writer/director Barry Jenkins, (“Moonlight”) true to Baldwin’s poetic tale but infused with a heart defined by the twenty-first century; here …

Choosing between two Bollywood blockbusters: “Zero”, Shah Rukh Khan playing a mini-version of himself or “K.G.F: Chapter 1”, my vote for the latter resulted in over 2 1/2 hours of bombastic, cacophonous, tumultuous entertainment. Writer/director Prashanth Neel’s tale of oppression commences in the early 1980’s; cutting to the chase with a limited script, “Rocky” champions the oppressed, inciting their rebellion …

This film is a conundrum, a therapeutic fantasy, a tribute to diminished artist, Mark Hogancamp, a talented illustrator, with a woman’s shoe fetish, beaten, so viciously, he now uses his camera to record his manufactured milieu where “evil” is annihilated by female warriors; his dolls, resembling kind women in his life, combatants who save him from Nazi villains (stand-ins for …

There will be those enchanted, charmed, joyously entertained: neophytes, who have never seen or revisited  the 1964 version, or have forgotten the magical “Banks” family and their ethereally, spell-binding Nanny, “Mary Poppins”, (inimitable Academy Award winning performance by Julie Andrews), her logical effervescence, intuitive genius in captivating her wards; here was a Mary Poppins, sprinkled in fairy dust, unparalleled in …