Hollywood

Glumly, I waddled out of director Stephanie Soechtig’s (produced and narrated by Katie Couric) prescient documentary about the perils of sugar; determined not to write about it, but after two weeks of it creepily, crawling around in my conscience, bit the bagel and sallied forth to my trusty “live writer”. Commencing with the utmost truth: I love anything sweet, as …

Periodically, expecting nothing, a film excels in dissipating ennui, gifting audiences a solid, interesting scenario; captivating one’s attention for its entirety; “Cold in July” is such a film. Superb acting inform a fascinating story of a burglary gone awry. Michael C. Hall of “Dexter” notoriety is “Richard Dane”, a laconic, ordinary guy: solid marriage, adorable son, picture framer who slays …

Angelina Jolie is marvelous as malevolent “Maleficent”; a refreshing spin on the fiendish fairy in the ageless tale of “Sleeping Beauty”; like the play “Wicked” (“Elphaba” the Wicked Witch from the “Wizard of Oz”) it forces audiences to cast aside preconceived ideas of good and evil; concentrate on the cause of their transformation from the best to the bitter. The …

Approximately ten years ago I saw artist Gregg Bordowitz (1964-) give a lecture, after a minimal audience, viewed his ripping film “Fast Trip, Long Drop”. Gregg was diagnosed H.I.V. positive in 1988; he was twenty-four years old. His brutally authentic, autobiographical film, savagely addresses his life before he became ill;  halcyon, fast, fun days of irresponsible youthful hedonism,  versus the …

Reminiscent of “Back to the Future”, but infused with tremendous angst and a monumental desire to stop the vicissitudes of the future by “adventuring” back to 1973; Director Bryan Singer’s worthy quest to protect the “mutants” (a metaphor for society’s outcasts, with extra-terrestrial gifts) is successful in its legitimate depiction of those outside the traditional genetic composition. Virginal, somehow “Marvel” …

“The Immigrant” opened Chicago’s 49th International Film Festival last October. Marion Cotillard, with a face to launch a thousand films, could not salvage “The Immigrant” a movie with a big heart, and inconsequential spine; Ellis Island, 1921; “Ewa” (Cotillard) a Polish immigrant (dazzling command of the Polish language) is separated from her sister, rescued by “Bruno Weiss” (implausible Joaquin Phoenix) …

Do not be misled by the title. “Million Dollar Arm” is so much more than a “sport” film; it is a human interest, accurate depiction of greatness springing forth from desperation. JB Bernstein, down on his fortune, sports agent (Jon Hamm hammers the role) and his partner Aash (terrific Aasif Mandvi) unorthodoxly decide to pluck their recruits, pitchers from India; …

“Cooking is at once child’s play and adult joy. Cooking done with care is an act of love.” Craig Claiborne. “Chef” is an ambrosial feast, not solely for the palate, but the mind, heart and imagination; I never wanted this film to end. Jon Favreau (writer/director/star) gifts audiences a delectable homage to the passion, obsession, sheer  unmitigated happiness that the …

Impossible to obliterate a highly creative monolithic monster, a mutant descendent of the dinosaur family;  thriving on   radioactivity,  deliciously dished by viable governments, determined to erase him from the globe; fortunately for viewers “Godzilla”, an amphibian of mammoth magnitude,  still possess pungently powerful immunities to weapons of mass extinction.   Interestingly “Godzilla” lacks the “fear factor”; being my first exposure to …

Philip Seymour Hoffman (1967-2014) stars in this unfortunate, misguided,  sad film, based on a puny, weary working class town imbued with minor minds, alcoholic imbeciles, petty miscreants and derelicts. Directed by John Slattery, Jr. “God’s Pocket” (a metaphor for the mundane, struggling average man, in need of spiritual guidance, protection); Hoffman is “Mickey Scarpato” a meager thief confronted, confounded by …