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EXODUS: GODS AND KINGS

Cecil B. DeMille’s  1956 “The Ten Commandments” still shimmers as one of the most iconic films of all time; technological wizardry, blatantly remarkable, set the bar for future filmmakers; it is a masterpiece enjoyed yearly by millions as a Passover/Easter traditional viewing experience; Charlton Heston and Yul Brynner are memorably cemented as the eponymous embodiment of “Moses” and “Ramses”. Christian …

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WILD

In 1977 Robyn Davidson trekked 1,700  miles across Australian desserts; she lionized her pilgrimage in “Tracks” a heartfelt, blatantly honest account of her journey; the 2013/14 film starring Mia Wasikowska is prescient in depicting Davidson’s vicissitudes during her seven-month odyssey. Eighteen years later (1995) Cheryl Strayed, driven by grief and moral turpitude, straps on a hundred -pound backpack, the “Monster” …

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NATIONAL GALLERY

Frederick Wiseman’s masterpiece takes place over three hours in the hallowed halls, galleries of one of the world’s richest museums, ensconced on Trafalgar Square in London; the length of the documentary adds to its depth; we troll the galleries with visionary educators, blinders removed, intensely looking, intellectually devouring iconic works; works still thriving, long after their masters have perished; painstaking, …

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THE THEORY OF EVERYTHING

It is refreshingly restorative watching a man withering physically, soaring intellectually. Eddie Redmayne (“Les Miserables”), gives a tour de force performance as Stephen Hawking (“A Brief History of Time”) who quested to discover “one single unified equation that explains everything in the universe”; diagnosed with motor neuron disease in 1963 (twenty-one- years old); glum prognosis, two years to live; he …

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ROSEWATER

Jon Stewart (“The Daily Show”) depicts a remarkable, somewhat fictionalized, tale of one man’s “red badge of courage”; in 2009 Maziar Bahari (“Then They Came for Me”) was arrested and incarcerated for filming the riots in Teheran, Iran after the election; Mexican actor Gael Garcia Bernal soars as “Bahari” an Iranian-born, London-based journalist working for Newsweek; Western confidence and ebullience …

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FOXCATCHER

In the profoundly silent first moments of the film we watch a solitary wrestler in a balletic performance with an  anthropomorphic partner; Mark Schultz, Olympic Gold medalist, practices his quintessential wrestling techniques; Channing Tatum gives the greatest performance of his career as this lost, isolated athlete, living in the shadow of his older brother (17 months), Dave, also an Olympic …

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MOCKINGJAY PART 1

Knowing that audiences were to be served only a portion of the third book in Suzanne Collins’s “Hunger Games” trilogy; leaving partially satiated appetites, unanswered dilemmas, lacking the magnetism of previous “Game” movies; light on energy, heavy on angst; difficult to be invested in the half-baked. The commencement is ploddingly slow: “Katniss Evergreen” (abundantly talented Jennifer Lawrence) must psychologically accept …

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PENEFLIX ON VACATION (RETURNING NOVEMBER 17TH; WITH A REVIEW ON THE 20TH)

In the meantime here are a few previously not reviewed, but worth a watch in the theatres or On Demand: “1,000 TIMES GOOD NIGHT”, Juliette Binoche is stunning as a war photographer, torn asunder by her profession and family. FOUR STARS!!!! “JOHN WICK”, Keanu Reeves has carved the quintessential niche as the avenger, slayer of the nefarious; the body count …

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NIGHTCRAWLER

“Lou Bloom” is one creepy, amoral, conscienceless character and Jake Gyllenhaal is stratospheric in his depiction of this man of the night, chasing gory, sensational, bloody accidents, filming the scene, its victims and selling them to a Los Angeles TV station. From the moment we meet “Lou”, excessively polite, verbose with Keane-like eyes and gaunt frame we know something is …

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ST.VINCENT

Manipulative, melodramatic, simultaneously marvelous; a film that delivers warm, fuzzy, chuckling, satisfying fun; Bill Murray, Melissa McCarthy, Jaeden Lieberher, Naomi Watts give performances worthy of writer/director Ted Melfi’s semi-autobiographical story. “Vince” (Murray) a broke, curmudgeonly boozer is hired by his new neighbor “Maggie” (McCarthy) to babysit (for 11 dollars an hour) her twelve-year-old son “Oliver” (enchanting characterization by Lieberher); Vince …

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