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THE SINNER, SEASON 3 (NETFLIX)

Abashedly, I did not invest in the first two seasons; no apparent reason; the virtual milieu is bloated with multitudes of culprits, “sinners” and their motives, perpetually titillating my curiosity; the third season’s lure was the actor Matt Bomer. Like actors Tom Hardy, Tom Hiddleston, Thierry Godard, Ben Whishaw, Bomer is not dancing at the pinnacle of one’s roster of …

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THE LITTLE THINGS (HBO MAX)

A trio of Academy Award Winners give it their optimum to generate suspense in director John Lee Hancock’s “The Little Things”: Denzel Washington, always captivating, depicts Deputy Sheriff “Joe Deacon” haunted by an aged blunder; Rami Malek, Detective “Jim Baxter”, too slight for the role, and the weakest character,  doomed from the onset to topple from the marketable pedestal the …

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SUPERNOVA (IN THEATERS)

Supernovas are celestial, ephemeral stars, whose explosions, for moments, blaze center stage in a firmament, theatre, of unparalleled transcendence; oftentimes delegated to those who die, before their audience is requited: John F. Kennedy and his son John Jr., James Dean, Princess Diana, River Phoenix, Sylvia Plath, Amy Winehouse, Prince, Kobe Bryant. Director Harry Macqueen with actors Stanley Tucci (“Tusker”) and …

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PROMISING YOUNG WOMAN (AMAZON PRIME)

Carey Mulligan, along with actors, (to name a few) Natalie Portman, Jodi Foster, Emma Watson, Lupita Nyong’o has a rarefied intelligence quotient; being smart is the characterizing trait of “Cassandra” a coffee counter-girl, pursuing, diligently, men who prey on inebriated women; her virtuosity is disquieting and Mulligan is masterful in the role. Except for the finale “Promising Young Woman” directed …

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NEWS OF THE WORLD (ON DEMAND AND STREAMING SERVICES)

Inimitable Tom Hanks adds to his repertoire of captivating characters with his elucidation of “Captain Jefferson Kyle Kidd”, a Civil War veteran, traveling the untutored west in 1870, preaching the “news of the world”, in layman terms, a town crier; Hanks imbues Kidd with a refined elegance, dignity, a compelling grace, but when tested, his ire cannot be bested; discovering …

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HERSELF (AMAZON PRIME) & PIECES OF A WOMAN (NETFLIX)

Two ambitious films excavating the lives of women, justifiably, “on the verge of a nervous breakdown”. “HERSELF” directed by Phyllida Lloyd, starring writer and actor Clare Dunn, focuses on abused wife/mother “Sandra”; she is destitute, living on state benefits, residing in a hotel with her two young daughters (enchanting depictions by Molly McCann and Ruby Rose O’Hara), eking out a …

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MINI MUSINGS TO BID SO LONG, FAREWELL, AUF WIEDERSEHEN, ADIEU TO 2020

“THE TRIAL OF THE CHICAGO 7”  (NETFLIX) Director Aaron Sorkin once again uses his magical might in creating a pristine reminiscence of a bleak period in American history; 1968, Democratic National Convention disrupted by factions against the Vietnam War: Abbie Hoffman (Sacha Baron Cohen, physical facsimile); Tom Hayden (Eddie Redmayne); Mark Rylance and Frank Langella are expert renditions of William Kunstler and …

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YEAR END MUSINGS: WORTHY WATCHING

“MANGROVE”            AMAZON PRIMEDirector/writer/ artist Steve McQueen perpetually stuns with his historical films, based on egregious tales of injustice; Mangrove, a restaurant in west London and the trial of nine black activists in 1971 is blatantly honest, radiantly performed with a prescient message more vibrant today than yesteryear. FOUR & ½ STARS!!!! “NOCTURNAL ANIMALS” (2016)  NETFLIX Jake Gyllenhaal’s performance is enormous; paired with Amy Adams and stunning contemporary art, acutely satisfying. …

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WONDER WOMAN 1984 (HBO MAX) VS. THE PROFESSOR AND THE MADMAN (NETFLIX)

Traditionally, Christmas Day is movie mania, in my household; redundancy accomplished, at home, in pajamas with leftovers and my adult pacifier, the remote. “Wonder Woman 1984” was a wonderous flop, “unsalvageable” by Gal Gadot, Chris Pine; Kristin Wiig as the scatterbrained sycophant, “Barbara/Cheetah” phenomenally miscast (perpetually locked in “Bridesmaids” mode) served as comic relief,  guffawing, fawning until her “wish” is …

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THE MIDNIGHT SKY (NETFLIX)

I have an innate prejudice when it comes to dystopian, apocalyptic films; acknowledging their technological wizardry, the aftermath leaves me in a queasy, dissatisfied, jetlagged fug: “The Road”, “Total Recall”, “Mad Max”, “Oblivion”, “Children of Men” and in particular “The Lobster”, were so systemically oppressive, depressive; no matter the ills of the twenty-first century, it is a “far better world” than these futurist prognoses; …

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