Foreign films have always held a deep-seated fascination for me; they demand a high level of concentration because of the subtitles and the edifying exposure to the intricacies of filmmakers from variant cultures; their appeal is enormously gratifying. Director Eskil Vogt’s (“The Worst Person in the World”) creepily brilliant tale of children, one with psychokinesis, determining a milieu devoid of …
Read More »VORTEX (FRENCH: ENGLISH SUBTITLES) IN THEATRES, THE STAIRCASE (NETFLIX), BOSCH: LEGACY (AMAZON PRIME)
“VORTEX” Dedicated “To all those whose brains will decompose before their hearts”; directed by Gasper Noe, “Vortex”, filmed as a diptych, a metaphor for the bifurcation of two lives, once entwined, now irrevocably fractured by age and its devastating vicissitudes; a husband and wife, “Liu” and “Elle” (incomparable Dario Argento and Francoise Lebrun) navigating the once familiar, now foreign, unknown …
Read More »BOLLYWOOD & STREAMING MOVIES
“KGF CHAPTER 2” (HINDI: ENGLISH SUBTITLES) THEATRES Bombastically challenging is the second chapter of Robin Hood facsimile, “Rocky”, a humble boy who rises to gargantuan wealth, power and inspiration of the lower classes; Bollywood hunk, Yash, stars as the gilded gangster (generating adulation in India’s youth) and his monumental physique dominates every pungent, cacophonous moment of this action infused, bloody, …
Read More »TO “STREAM” OR “SCREEN”
“THE ANDY WARHOL DIARIES” (NETFLIX) Excellent, introspective, comprehensive study of a man who changed the medium, meaning of what constitutes “art”; Andy Warhol bulldozed the “pedestal”, “frame”, “vitrine”; rising above traditional “cross & crown”, the angst of Abstract Expressionism, focusing on contemporary, every day, and universal fascination with fame: television junkies, voyeuristic tabloids, shocking sensationalism of untimely demises, race riots, …
Read More »YOU WON’T BE ALONE (IN THEATRES)
Gratuitous gore, guts and inhumaneness inform the premise of writer/director Goran Stolevski’s film, located in 19th century Macedonia; witches, lusting after the blood of newborns, muting infants; girls are the ultimate prey, transformed into cannibals, they mutilate with impunity, slaughtering for revenge, power; anthropophagites devouring each other, only to become the devoured; savagery stars in this baseless thriller; identity wallows …
Read More »RUMINATIONS ON THE 94th ACADEMY AWARDS
Brash, bold, colorful couture bombarded the red carpet; I never realized that would be the highlight of the evening; an evening that suffered a low never experienced in Academy Award history; dignity destroyed on an altar of self-righteousness; no rebound, no “win” can ever erase or reward egregious behavior, witnessed worldwide. The actor should pray for paltry ratings. As in …
Read More »PENEFLIX PREDICTIONS: 2022 ACADEMY AWARDS
Testament to the magnetic power of film, its accessibility, universal appeal, regardless of age, gender, heritage it has generated almost as many critics as imbibers; periodically you experience a critic, a devotee of the genre that soars above the flock, a person with an inimitable command of the English language; vocabulary alone paints a filmic scene, in no need of …
Read More »THE BOMBARDMENT (NETFLIX), THE KASHMIR FILES (HINDI: ENGLISH SUBTITLES) IN THEATRES
Two explosive and extremely traumatic films based on actual events; one inadvertent and one intentional; both are viscerally challenging to watch. “The Bombardment” from its inception is shocking: an idyllic landscape in the outskirts of Copenhagen witnesses the bombing of a taxi holding three virginally beautiful women in white; a young cyclist, “Henry” (Bertram Bisgaard) rendered mute by the sight …
Read More »JHUND (HERD) (HINDI: ENGLISH SUBTITLES) in theatres
Years ago, a friend and I had the privilege of touring the Dharavi slum in Mumbai; staggering in its viability, actuality in its focus on poverty at its nadir, but also depicted the ingenuity of its in habitants; it was a hotbed of industry, vibrating with entrepreneurship: bakeries, cleaners, schools, with uniformed children; these inspirational exceptions eased, but did not …
Read More »DRIVE MY CAR (JAPANESE: ENGLISH SUBTITLES)
The complexities, literary, cultural references are vastly entertaining, if you recognize the sources of enlightenment, but even if you enter this divine diversion with a pure mental slate “Drive My Car” will cling fervently, entrenched perpetually in one’s filmic library. Admirers of Russian playwright and short story writer, Anton Chekhov (1860-1904), introducing modernism, revolutionizing the short story genre, a symbol …
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