Director Andrea Arnold’s (“Fish Tank”) “American Honey” is rough, gritty, ugly, disturbing and at times profoundly poetic, and I did not care for it. Puzzling when greatness dazzles and your natural instinct is to turn away. “Star” (sharp and poignant depiction by Sasha Lane) is eighteen, caring for two children,(there is a vagueness as to their bond, familial or otherwise) …
Read More »A MAN CALLED OVE (SWEDISH: ENGLISH SUBTITLES)
Fifty-nine-year-old “Ove”, (Rolf Lassgard) bereaved widower, childless, retired, dresses impeccably, clean-shaven daily, preparing for his suicide; based on the novel by Fredrik Backman and directed by Hannes Holm, “A Man Called Ove” is a profoundly moving depiction of a man scarred by life’s injustices, rescued emotionally by an enchanting teacher “Sonja” (Ida Engvoll) only once again to be stunned by …
Read More »A TALE OF LOVE AND DARKNESS (HEBREW: ENGLISH SUBTITLES)
A lugubrious film of bleakness and ennui, based on the 2002 autobiographical novel by renown Israeli writer Amos Oz (aka Klausner, 1939). Natalie Portman directs, adapts and stars as Oz’s clinically depressed mother Fania (1913-1951), and her march towards extinction. The location is Jerusalem, 1947. Told through the wizened eyes of an elderly Oz (understand why it took him a …
Read More »ANTHROPOID
Reinhard Heydrich (1904-1942), aka the “Butcher of Prague”, architect of Hitler’s Final Solution was assassinated by Czech resistance fighters on June 4th, 1942. Director Sean Ellis personifies the seven courageous parachutists who willingly sacrificed their lives to fulfill their ambitious, bleak mission. Focusing on Jozef Gabcik (intensely, efficaciously portrayed by Cillian Murphy: “Breakfast on Pluto”, “Wind that Shakes the Barley”) …
Read More »FLORENCE FOSTER JENKINS
Notwithstanding, Meryl Streep’s iconic acting acuity and director Stephen Frears good intentions the film is lackluster and sparkless compared to France’s “Marguerite” (with the incomparable Catherine Frot); Florence Foster Jenkins (1868-1944) was a music patron, completely tone deaf, delusional in fancying herself an opera diva; because of her wealth, generosity and protective partner, many suffered through her screeching interpretations of …
Read More »CIEN ANOS de PERDON (TO STEAL FROM A THIEF) SPANISH: ENGLISH SUBTITLES
Here is the perfect parcel for lovers of “heist” films ( “The Italian Job”, “Oceans 11”, etc. “The Bank Job”); director Daniel Calparsoro serves a Spanish/Argentine thriller that guarantees total satisfaction; I did not want it to end! Commencing on a tsunami- drenched day in Valencia, Spain, a frazzled, frustrated bank manager (stunning Patricia Vico) realizes her position is in …
Read More »THE INNOCENTS (FRENCH: ENGLISH SUBTITLES)
December, 1945 Poland. The brutal, blanched landscape has no intention of thawing, continuing to camouflage an isolated convent where atrocities have been initiated; piety butchered by unadulterated, unaccountable Russian soldiers. Director Anne Fontaine’s formidable “The Innocents”, based on an actual event, challenges viewers to tread where sanctity has been annihilated, dehumanized by man. The second world war is over and …
Read More »OUR KIND OF TRAITOR
Based on John le Carre’s (1931) 22nd book, directed by Susanna White, would have fared better as a television mini-series; even then it could not match the recent BBC production of “The Night Manager” staring Tom Hiddleston and Hugh Laurie. The tepid title lends little legitimacy to what the masses surmise as traitors: Mata Hari, Julius and Ethel Rosenberg, Aldrich …
Read More »GENIUS
“When a great genius appears in the world you can know him by this sign: that the dunces are all in a confederacy against him.” Jonathan Swift Thomas Wolfe (1900-1938) railed against his detractors until he was championed by Max Perkins (1884-1947), editor of Charles Schreiber’s Publishing. Max, a man whose prescience recognized and lionized writers Ernest Hemmingway, F. Scott …
Read More »MA MA (SPANISH : ENGLISH SUBTITLES)
Penelope Cruz gives a dazzling performance as a vibrant schoolteacher, mother coping with the ugliness of breast cancer; she soars as “Magda”, never shunning, hiding from the inevitability of her prognoses; she loves her soccer-playing son “Dani” (poignant portrayal by Teo Planell) with pure, uncensored, palpable devotion. Magda’s contagious, uninhibited joy infects all who enter her sphere; grieving “Arturo” (beautiful, …
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