Rachel Weisz’s dynamism has permeated many iconic films: “The Mummy”, “The Constant Gardner” (Oscar win), “About a Boy”, “The Favorite”, “The Bourne Legacy” and a myriad of others; her beauty, intelligence, in actuality, stun in maturity; so why would  she deign to play a fantastical, fanatical grunting, groaning middle-aged, sexually-starved, lustful teacher, salaciously thirsting after a  nubile younger, married scholar?  …

Every year, my selections, based solely on what I feel should win, not “will” win fall short of victory. 2025 was an empyrean film year, in Hollywood and Foreign; and all nominees are worthy of their respective nominations. Having seen all the films, several times, my choices are: BEST PICTURE: MARTY SUPREME BEST DIRECTOR:  PAUL THOMAS ANDERSON  “ONE BATTLE AFTER …