Frederick Wiseman’s masterpiece takes place over three hours in the hallowed halls, galleries of one of the world’s richest museums, ensconced on Trafalgar Square in London; the length of the documentary adds to its depth; we troll the galleries with visionary educators, blinders removed, intensely looking, intellectually devouring iconic works; works still thriving, long after their masters have perished; painstaking, …

It is refreshingly restorative watching a man withering physically, soaring intellectually. Eddie Redmayne (“Les Miserables”), gives a tour de force performance as Stephen Hawking (“A Brief History of Time”) who quested to discover “one single unified equation that explains everything in the universe”; diagnosed with motor neuron disease in 1963 (twenty-one- years old); glum prognosis, two years to live; he …

Jon Stewart (“The Daily Show”) depicts a remarkable, somewhat fictionalized, tale of one man’s “red badge of courage”; in 2009 Maziar Bahari (“Then They Came for Me”) was arrested and incarcerated for filming the riots in Teheran, Iran after the election; Mexican actor Gael Garcia Bernal soars as “Bahari” an Iranian-born, London-based journalist working for Newsweek; Western confidence and ebullience …

In the profoundly silent first moments of the film we watch a solitary wrestler in a balletic performance with an  anthropomorphic partner; Mark Schultz, Olympic Gold medalist, practices his quintessential wrestling techniques; Channing Tatum gives the greatest performance of his career as this lost, isolated athlete, living in the shadow of his older brother (17 months), Dave, also an Olympic …

Knowing that audiences were to be served only a portion of the third book in Suzanne Collins’s “Hunger Games” trilogy; leaving partially satiated appetites, unanswered dilemmas, lacking the magnetism of previous “Game” movies; light on energy, heavy on angst; difficult to be invested in the half-baked. The commencement is ploddingly slow: “Katniss Evergreen” (abundantly talented Jennifer Lawrence) must psychologically accept …

Chile, a long, skinny country defined by extremes: inferno, desert heat/frigid, snow-clad mountains; cacophonous, colorful Santiago/isolated, serene Easter Island; Chile sooths and stimulates simultaneously, cauterizing the heaviness of everyday minutia, allowing the lyrical to pierce one’s spirit. For two weeks my friend and I were soaked and lathered by a myriad of highlights. Primarily Easter Island, the loneliest place on …

In the meantime here are a few previously not reviewed, but worth a watch in the theatres or On Demand: “1,000 TIMES GOOD NIGHT”, Juliette Binoche is stunning as a war photographer, torn asunder by her profession and family. FOUR STARS!!!! “JOHN WICK”, Keanu Reeves has carved the quintessential niche as the avenger, slayer of the nefarious; the body count …

“Lou Bloom” is one creepy, amoral, conscienceless character and Jake Gyllenhaal is stratospheric in his depiction of this man of the night, chasing gory, sensational, bloody accidents, filming the scene, its victims and selling them to a Los Angeles TV station. From the moment we meet “Lou”, excessively polite, verbose with Keane-like eyes and gaunt frame we know something is …

Manipulative, melodramatic, simultaneously marvelous; a film that delivers warm, fuzzy, chuckling, satisfying fun; Bill Murray, Melissa McCarthy, Jaeden Lieberher, Naomi Watts give performances worthy of writer/director Ted Melfi’s semi-autobiographical story. “Vince” (Murray) a broke, curmudgeonly boozer is hired by his new neighbor “Maggie” (McCarthy) to babysit (for 11 dollars an hour) her twelve-year-old son “Oliver” (enchanting characterization by Lieberher); Vince …

From its erotic, titillating commencement throughout its seesaw scenario the viewer voyeuristically vacillates between the past and present; the blue of the hotel room to a similar hue in the courtroom; lovers reminiscent of an Alfred Hitchcock genre, fatally attracted to each other, describing their relationship in “Rashomon” style. Succinctly acted and directed by Mathieu Amalric (“The Diving Bell and …